ALECHINSKY, Pierre (1927-). "Découverte de l'acide (Acte I)". (1968). Cold. lithogr. 530 x 730 mm. Annotated 148/190 and signed in pencil. (Slightly toned).

ANDERLE, Jirí (1936-). "Comme il faut". "Komedie ci. 12, Spolecnost". (1969). Cold. etching. 480 x 630 mm. Annotated 4/30 and signed & titled in pencil. -- Id. (No title). 1969. Etching. 160 x 135 mm. Annotated "E.A." and signed & dated in pencil. -- (2).

ANTAS, H. (1936-). "Manlijke figuur met maatlat". (1968). Cold. lithogr. 765 x 565 mm. Annotated 148/190 and signed in pencil. -- G.L. LE ROY (1938-2008). (No title). (c. 1970). Woodcut on Japanese paper. 600 x 795 mm. Annotated 148/190 and signed in pencil. (Small tear/creases in upper margin). -- And 4 o. by Cardena, De Waard, De Jong & Daamen. (6).

APPEL, Karel (1921-2006). "Man met Sjaal". (1969). Cold. lithogr. 360 x 510 mm. Annotated 53/190 and signed in pencil.

APPEL, Karel (1921-2006). (Three figures). (1968). Cold. lithogr. 324 x 497 mm. Annotated 48/190 and signed in pencil.

APPEL, Karel (1921-2006). (Two figures). (1968). Cold. lithogr. 330 x 480 mm. Annotated 148/190 and signed in pencil.

ARNTZENIUS, Floris (1864-1925). (View of The Hague?). N.d. Drawing in pencil on v° of an invoice of a tailoring firm. 88 x 108 mm. Without signature. Tipped in on mount. Framed and glazed.

BAJ, Enrico (1924-2003). "Louis XIV dit le Grand Dauphin". (1967). Cold. etching. 357 x 313 mm. Annotated 148/190 and signed in pencil.

BOKHORST, Engelbartus (1871-1939). Collection of 3 ink and black and white wash drawings: 2 church interiors and a river view of Ouderkerk aan de Amstel with towpath and houses on the river bank. N.d. Each 190 x 280 mm. All individually signed. Laid down on double mounts.

BOODE, Dirk (1891-1957). (Scheveningse (?) vissersvrouwen). 1937. Drawing in pencil and colour wash. 322 x 257 mm. Framed, glazed and under passepartout. - Uninspected out of frame, but in fine condition.

BOTTEMA, Tjeerd (1884-1978). ("Molen in de winter"). N.d. Colour etching and aquatint. 229 x 336 mm. Under passepartout. Edition 49/150, signed in pencil. -- Added: Paul Jan van der Ven (1892-1972). ("Winters Veluwelandschap"). Surface-tone etching. 270 x 513 mm. Under passepartout. Signed in pencil, edition not stated. -- (2).

BRUNA, Dick (1927-2017). "Naar buiten". (1969). Screen print in five colours. 940 x 680 mm. Annotated 148/190 and signed in pencil. (Lower right corner slightly creased/soiled).

CASTRO, Lourdes (1930-). (A photographer and a camera). 1970. Silkscreen in white and fluorescent orange on limp fluorescent pink perspex. 574 x 505 mm. Annotated 148/190 and signed in pencil.

COLLAERT, Adriaen (1560-1618). ("The Parable of the Prodigal Son"). (Antwerp, H. v. Luyck, c. 1580). Series of 4 etchings after Hans Bol representing the departure and return of the prodigal son, numbered 1-4, the first signed in the plate. c. 123 x 182 mm each. Hinged to mounts, all under a separate passepartout.

COPIJN, Henri (or) Hein (1842-1923). Original sketch of a park landscape near Utrecht on the bank of river De Vecht. 1866. Pencil, ink and colour wash. 705 x 456 mm. Signed and dated. (A bit age-toned, outer margins frayed w. some splits running into image and repairs to v°, in need of restoration).

CORNEILLE (1922-2010). "La baigneuse au soleil". 1967. Cold. lithogr. 700 x 510 mm. Annotated 148/190 and signed, titled and dated in pencil.

CORNEILLE (1922-2010). "Terre mexicaine". (1972). Cold. lithogr. 540 x 380 mm. Annotated 148/190 and signed in pencil.

"CORPS DE GARDE van Hollandsche Officiers/Corps de Garde des Officiers Hollandois". Amst., 1754. Fine engr. depicting an officer's mess by J. Punt and P. Tanjé after a painting by C. Troost, w. coat of arms engr. in lower margin and dedication to G. Braamcamp ("beminnaar der schilderkonst"). 390 x 518 mm. -- "TWEEDE CORPS DE GARDE van Hollandsche Officiers/Second Corps de Garde d'Officiers Hollandois". Amst., P. Fouquet, 1760. Fine engr. depicting an officer's mess by J. Houbraken after a painting by C. Troost, w. coat of arms engr. in lower margin and dedication to D. Muilman. 393 x 470 mm. -- Added: "DIDOOS DOOD/La Mort de Didon". N.d. (1758). Engr. by S. Fokke after C. Troost. 2nd state (of 2). -- And 1 o. after Troost. (4).

CREMER, Jan (1940-). "Hot Dog / Coca Cola". (1969). Cold. lithogr. 504 x 718 mm. Annotated 148/190 and signed in pencil.

CYBERNETIC SERENDIPITY - The Computer and the Arts. Lon., Motif Editions, 1968. 7 (cold./tinted) inkjet prints & colophon leaf. Each print 755 x 502 mm., generated with the computer.

CZECH GRAPHIC ARTISTS -- COLLECTION of 21 prints artists. (2nd half 20th c.). Dif. techniques. Dif. sizes, largest: 640 x 500 mm, smallest 245 x 245 mm. Mostly signed/numb. in pencil.

CZECH GRAPHIC ARTISTS -- COLLECTION of 24 (smaller size) prints: cold. lithographs (7), woodcuts (5) and etchings/aquatints (12). Primarily c. 1970-2000. Sizes vary. All signed in pencil. All printed in limited editions.

DEMEL, Karel (1942-). "Amoroso". 1979. Cold. etching. 395 x 235 mm. Annotated 103/125 and signed & dated in pencil. -- Id. (No title). 1975. Cold. etching. 495 x 393 mm. Annotated "E.A." and signed & dated in pencil. -- Id. "Music". 1979. Cold. etching. 395 x 235 mm. Annotated 96/125 and signed & dated in pencil. -- (3).

DERKZEN v. ANGEREN, Anthonius Philippus ('Antoon') (1878-191). ("Winter aan de Rotte II"). 1930. Etching. 310 x 587 mm. Under passepartout. Signed in pencil. -- Added: Herman van der JAGT (1882-1970). ("Winter in Voorschoten"). 1950. Etching. 255 x 320 mm. Under passepartout. -- (2).

DUTCH SCHOOL -- (VOC VESSEL 't SLOT TER HOOGE (?) and other ships before the coast of Vlissingen (?)). Late 18th/early 19th c. drawing in ink and grey wash on paper. 235 x 325 mm. Framed, glazed and under passepartout. Uninspected out of frame.

ELEMENTS, The -- BELLA, Stefano della (1610-1664). "Terra", "Aqua", "Aer", "Ignis". N.pl., N. Langlois, n.d. (2nd h. 17th c.?). Series of 4 fine etchings, insribed underneath the image, numbered 1-4. c. 87 x 194 mm each. (Traces of former hinging on v°-sides, but in fine condition).

ELEMENTS, The -- "IGNIS", "AER", "AQUA", "TERRA". N.pl., n.publ., n.d. (c. 1610/1620?). Series of 4 engr. after Abraham Bloemaert (1564 or 1566-1651) by an anonymous hand, numbered 1-4, captioned, and annotated "AB inven" in the plate. 101 x 149 mm each. All hinged to mounts, all under a separate passepartout. (In good condition, with ample margins, but a bit soiled/stained).

ELEMENTS, The -- "TERRA", "AQUA", "AER", "IGNIS". N.pl., n.d. (c. 1597). Series of 4 anonymous etchings after H. Goltzius, titled in the plates and w. captions in Latin underneath the image, numbered 1-4. Under 2 passepartouts. (Margins trimmed on borderline, all 4 laid down on mount, some staining in places).

ELIAS, E. (1936-2007). "Waterdruppel". (c. 1970). Cold. silkscreen print. 540 x 700 mm. Annotated 148/190 and signed in pencil. -- K. SUGAI. (1919-96). (No title). 1970. Cold. lithogr. 702 x 500 mm. Annotated 148/190 and signed in pencil. -- R. ABRAM (1938-99). (Geometrical composition). 1970. Cold. silkscreen on transparent limp blue perspex. 610 x 430 mm. Annotated 148/190 and signed in pencil. -- W. v. MALSEN (1940-2005). "Maison Violette". 1970. Cold. lithogr. 580 x 450 mm. Annotated 148/190 and signed in pencil. -- (4).

ESCHER, M.C. (1898-1972). "Ex libris Roodhuyzen de Vries-Van Dishoeck". (June 1942). Wood-engr. 80 x 60 mm. Monogrammed "MCE" in the block. Hinged to mount. (Slightly foxed).

ESCHER, M.C. (1898-1972). Uitnodiging, september 1931. (1931). Woodcut 12 x 9 cm. (Paper a bit browned, probably a proof, in places not enough ink). Bool 149. -- Added: One other woodcut by Escher but with different format as mentioned in Bool (360) and on cheap, browned paper, with tears. -- (2).

ESCHER, M.C. (1898-1972). Vlakvullingsmotief met vissen en vogel. (1951). Linocut on Japanese paper. 13,7 x 16,3 cm. (Some foxing spots and a few tiny wormholes in blank margins).

FONTANA, Lucio (1899-1968). "Concetto spaziale". 1967. Silkscreen, printed in blue on transparant limp perspex w. 13 perforated holes. Annotated 148/190 and signed & dated (both scratched in the perspex).

FOUR AGES OF MAN, The -- COLLAERT II, Jan (1561-1628). "Quatuor Mundi Ætates: Ætas Aurea - Ætas Argentea - Ætas Ænea - Ætas Ferrea". (Leiden/The Hague, 1638). Complete series of 4 allegorical engr. after Tobias Verhaecht, w. text in Latin by Laurens Beyerlinck (after Ovid) engr. underneath each plate. 200 x 259 mm each. (First 2 plates w. brown stain in upper left blank corner).

FRENCH REVOLUTION -- "THE MEMORABLE Address of Lewis the Sixteenth at the bar of the National Convention". -- "THE LAST INTERVIEW Between Lewis the Sixteenth and his disconsolate Family". -- "THE SEPARATION of Lewis the Sixteenth from his Family". -- "THE CALM AND COLLECTED Behaviour of Lewis the Sixteenth on parting from his Confessor Edgeworth". -- Lond., Colnaghi, (and 1 by) Testolini, 1793-96. 4 stipple engravings by L. Schiavonetti. Each c. 530 x 650 mm. Framed in gilt wooden frames and glazed. (Uninspected out of frames, some foxing in places, small defects).

GALIS, Vera (b. 1959). No title. 1988. Silk screen print. 800 x 695 mm. Signed in pencil, annotated 9/100. - Image of a metal structure by Vera Galis. Added: new year's card by 'Architektenburo Galis', Delft, for 1991 w. on 1 side - but much smaller - the same image.

GAZOVIC, Vladimír (1939-). "Pozor, civilizácia II". (1994). Cold. lithogr. 980 x 700 mm. Annotated 90/99 and signed & dated in pencil. -- Id. "Zátisie s oblúkom". (1992). Cold. lithogr. 975 x 695 mm. Annotated 88/96 and signed & dated in pencil. -- Id. "Z velkého stola prírody". (1990). Cold. lithogr. 850 x 635 mm. Annotated 55/90 and signed & dated in pencil. -- Id. "Adam a Eva". (1994). Cold. lithogr. 1000 x 700 mm. Annotated 64/69 and signed & dated in pencil. -- Id. "Akupunktúra sveta". (1990). Cold. lithogr. 965 x 685 mm. Annotated 55/96 and signed & dated in pencil. -- (5).

GOLTZIUS, Hendrick (1558-1617). "Ioannes Bollius Mechliniensi Pictor Æt. LVIII A° MDXCIII". Engr. portrait. 263 x 182 mm (image size). Monogrammed in the plate. Laid down on 18th c. paper.

GOLTZIUS, Hendrick (1558-1617). "Iohan Gols van Keiserswerdt seines Alters 44". Engr. portrait. 147 x 101 mm (image size). Signed in the plate. Laid down on mount. (Margins trimmed on image border). -- Added: Id. "GERARDI MERCATORIS Rupelmundani effigiem (…)". Engr. portrait of G. Mercator at the age of 62 holding a globe and a compass, after F. Hogenberg. 200 x 150 mm (image size). -- (2).

GOLTZIUS, Hendrick (1558-1617). "Iohannes Zurenus A° Ætat. 71. Domini, [15]88". (1590). Engr. portrait. 165 x 107 mm (image size). Hinged to mount. State 3/3, in fine condition. Portrait of Jan v. Suren, printer, publisher as well as mayor of Haarlem. Strauss 282; Hollstein 220. -- Added: Id. (Portrait of ?). Engr. portr. 99 x 73 mm (image size). (Traces of former hinging on v°). Uncertain identification as portrait of Simon Sovius or Hieronymus Scholiers. Strauss 177; Hollstein 213. -- (2).

GOLTZIUS, Hendrick (1558-1617). (Christ before Pilate - The Passion). Engr. nr. 5 (of 12) from the series 'The Passion'. 195 x 128 mm (image size). Marked "5", monogrammed "HG" and "A° [15]96" in the plate. Hinged to mount and under passepartout. Coat of arms: coat of arms w. tower?

GOLTZIUS, Hendrick (1558-1617). (Christ Crowned with Thorns - The Passion). Engr. nr. 7 (of 12) from the series 'The Passion'. 196 x 130 mm (image size). Marked "7", monogrammed "HG" and "A° [15]98" in the plate. (Trimmed close to image border, but in v.g. condition).

GOLTZIUS, Hendrick (1558-1617). (Ecce Homo - The Passion). Engr. nr. 8 (of 12) from the series 'The Passion'. 196 x 130 mm (image size). Marked "8", monogrammed "HG" and "[15]97" in the plate. (Trimmed close to/on image border, closed small tear in lower right corner, no watermark visible).

GOLTZIUS, Hendrick (1558-1617). (Pieter van Foreest). Engr. portrait. 133 x 78 mm (image size). Monogrammed in the plate, inscribed "Ætat. suæ 64 A° 1586" and 3 distichs engr. in the lower margin. Hinged to mount. (Cut close to image border).

GOLTZIUS, Hendrick (1558-1617). (Pike-bearer, facing left). Engr. 149 x 271 mm. Signed in the plate and dated "1582". (Cut close to/on image border, laid down, vertical fold, some small stains in red). -- Added: 3 o. by G. ("Iuppiter", "Vulcanus", and a copy of (Titus Manlius Torquatus), reduced in size). -- (4).

GOLTZIUS, Hendrick (1558-1617). (Portrait of Agatha Scholiers). Engr. portr. 160 x 120 mm. Inscribed in the plate. Hinged to mount.

GOLTZIUS, Hendrick (1558-1617). (The Agony in the Garden - The Passion). Engr. nr. 2 (of 12) from the series 'The Passion'. 195 x 128 mm (image size). Marked "2", monogrammed "HG" and "A° [15]97" in the plate. Hinged to mount and under passepartout. No watermark visible. (Small part of outer upper left corner gone, 2 chips at the same side touching the plate border).

GOLTZIUS, Hendrick (1558-1617). (The Agony in the Garden - The Passion). Engr. nr. 2 (of 12) from the series 'The Passion'. 196 x 129 mm (image size). Marked "2", monogrammed "HG" and "A° [15]97" in the plate. No watermark visible. (Trimmed close to image border, tiny rep. worm hole in outer upper right corner).

GOLTZIUS, Hendrick (1558-1617). (The Bearing of the Cross - The Passion). Engr. nr. 9 (of 12) from the series 'The Passion'. 197 x 130 mm (image size). Marked "9" and monogrammed "HG" in the plate. No watermark visible. (Small yellowed spot from tape on verso in right margin visible on recto; sm. browned bar in left side of image; thin spot (not visible on recto)). -- Added: Id. (Ecce Homo - The Passion). Engr. nr. 8 (of 12) from the series 'The Passion'. 195 x 127 mm (image size). Marked "8", monogrammed "HG" and "[15]97" in the plate. Hinged to mount. No watermark visible. (Upper left outer corner replaced w. some resultant loss of image, lower right outer corner a bit stained). -- (2).

GOLTZIUS, Hendrick (1558-1617). (The Betrayal of Christ - The Passion). Engr. nr. 3 (of 12) from the series 'The Passion'. 196 x 130 mm (image size). Marked "3", monogrammed "HG" and "[15]98" in the plate. Hinged to mount and under passepartout. Watermark: coat of arms w. tower? (Impression a bit greyish, small spot from tape on v° visible on r°).

GOLTZIUS, Hendrick (1558-1617). (The Deposition - The Passion). Engr. nr. 11 (of 12) from the series 'The Passion'. 196 x 130 mm (image size). Marked "11", monogrammed "HG" and "1596" in the plate. (Trimmed close to/on image border).

GOLTZIUS, Hendrick (1558-1617). (The Division of Good and Evil from The Last Judgment). Etching from a series of 4 circular prints. Ø 260 mm. Inscribed "HG fe", "Johannes Stradanus inventor" and "CJVisscher Excud." and texts from Corinthians 3:8 and Matthew 25:32 in the plate. On mount w. 2 pieces of tape.

GOLTZIUS, Hendrick (1558-1617). (The Judgment of Solomon). Engr. 236 x 183 mm. Monogrammed "HG" in the plate, inscribed i.a. "Hh[ondius] exc. 1604". Hinged to mount. (Lower margin trimmed on plate edge, and w. small split running into image). -- Added: Id. "Ablatio malorum". Theod. Galle excud. Engr. 252 x 189 mm. (Upper outer left corner rep. (some loss of image)). -- And 1 o. by G. (3).

HEYDEN, J.C.J. van der (1928-2012). (Composition with blue cross). 1968. Etching and reliefprint. 650 x 500 mm. Annotated 148/190 and signed in pencil.

HOLBEIN -- COLLECTION of 5 stipple etched portraits by Francesco Bartolozzi after Hans Holbein the Younger, all cold. by hand. N.pl., J. Chamberlaine, 1792. Largest 450 x 350, smallest 340 x 258 mm. All under a separate passepartout. -- Added: 1 similar stipple etched portrait by C. Metz after Hans Holbein the Younger, cold. by hand. N.pl., J. Chamberlaine, 1792. 302 x 254 mm. Under passepartout. -- (6).

HOUSE, Gordon (1932-2004). (Abstract composition). 1971. Cold. silkscreen print. 412 x 400 mm. Annotated 148/190 and signed & dated in pencil. -- J.H. MOESMAN (1909-86). "Daphne". 1971. Lithogr. 450 x 385 mm. Annotated 148/190 and signed & dated in pencil. -- And 7 o. by Saunier, Koornstra, Plaat, Coumans, Kley, Dülmen & Sit. (9).

HUSSEM, Willem (1900-74). "Litho II". (1967). Cold. lithogr. 700 x 515 mm. Annotated 148/190 and signed in pencil. (W. small stain). -- Dick CASSÉE (1931-). "Flight 505". 1966. Metalprint. 239 x 496 mm. Annotated 148/190 and signed, titled & dated in pencil. -- And 4 o. by Alma, Engelman, Mes & Zekveld. (6).

JIRÍ, John (1923-72). Untitled. 1964. Etching. 49 x 37 cm. Signed, dated and numb. in pencil, 8/15. (Small spot in lower blank margin). -- Id. Untitled. 1972. 40 x 30 cm. Signed, dated and numb. in pencil, 10/35. -- (2).

JONG, Pol (1944-). "De lift". 1972. Etching. 298 x 238 mm. Annotated 8/10 and signed, titled and dated in pencil. -- Id. "Dertig jaar doodstrijd". 1975. Etching. 300 x 250 mm. Annotated 'Proefdruk' and signed, titled and dated in pencil. -- Id. "Cash and Carry". 1974. Etching. 185 x 185 mm. Annotated 'Proefdruk' and signed, titled and dated in pencil. -- And 12 o. by the same, incl. 2 posters. (15).

JONG, Pol (1944-). "Opa's kamertje". 1974. Etching. 293 x 185 mm. Annotated II/X and signed, titled and dated in pencil. -- Id. "Lijpe Lenie". 1974. Cold. etching. 300 x 187 mm. Annotated IV/X and signed, titled and dated in pencil. -- And 10 o. by the same (i.a. "De pisbak", "Het vrouwenwegje", "Het laatste nieuws", "Happy" & a poster for the 'CPN'.). (12).

JUDAISM -- "LA FÊTE DE PURIM" - "LA DEDICACE de la Sinagogue des juifs portugais, a Amsterdam" - (Amst., 1722). 2 fine fold. engr. after L.F. du Bourg and B. Picart. 347 x 425 mm. -- And 21 o. engr. from the same series on jewish religious customs, printed on 13 sheets. Stab sewn, presented as 'quire'. (23).

JUDAISM -- "LA FÊTE DE PURIM". (Amst., 1722). Fine engr. after L.F. du Bourg by B. Bernaerts. 347 x 425 mm. Strong impression. -- "15e VUE D'OPTIQUE Nouvelle, Représentant les Juifs dans leur Sinagogue, Célébrants (…) le Purim". Paris, J. Chereau, n.d. (c. 1790). Engr. optical print, cold. by hand. 306 x 408 mm. -- "JUIF TENANT LE MEZUZOTH" - "FEMME JUIVE AVEC SON VOILE, (…)" - "JUIF EN HABIT DE PRIERES" - "FEMME JUIVE ALLANT A LA SYNAGOGUE" - (Paris, 1720). 4 plain engr. taken from Calmet's 'Dictionnaire (…) de la Bible'. -- And 5 o. (11).

JUDAISM -- "TEMPLE DE JERUSALEM". (Amst.), Lindenbergh, (1702). Cold. engr. view by R. de Hooghe, w. engr. caption and explanations underneath. 310 x 365 mm. (Slightly stained). -- "SYNAGOGE DER PORTUGEESCHE IOODEN". (The Hague), Boitet, c. 1735. Engr. by J.C. Philips after G. v. Giessen, cold. by hand. 285 x 348 mm. Exterior of the Portuguese Synagogue at The Hague. -- Added: "GEZICHT VAN HET BINNENHOF, Autaar enz. op 't Loofhuttenfeest". Late 18th c. Engr. optical view, cold. by hand. 252 x 341 mm. -- And 3 o. (6).

KITAJ, R.B. (1932-2007). Exhibition poster for Mus. Boijmans van Beuningen, Rotterdam. (1970). Cold. silkscreen print. 424 x 394 mm. Signed in pencil.

KREJCI, Jan (1942-2001). Collection of 13 smaller (tinted) etchings/aquatints and 3 tinted lithogr., works from the period 1979-97. Diff. sizes. All signed and dated in pencil.

KREJCI, Jan (1942-2001). Collection of 14 smaller (tinted) etchings/aquatints, works from the period 1973-77. Diff. sizes. All signed and dated in pencil.

KREJCI, Jan (1942-2001). Collection of 18 tinted lithogr., works from the period 1999-2000. Diff. sizes. All signed and dated in pencil.

KUIK, William Diederich ('Dirkje') (1929-2008). "Rotslandschap". 1970. Etching and drypoint. 335 x 502 mm. Annot. 148/190 and signed, titled & dated in pencil. Published in the series Prent 190, (Louis Gans). -- Alain JEANNE (1945-). "Embarcadère". (1973). Etching. 305 x 230 mm. Annot. 6/75 and signed & titled in pencil. -- Id. "Le pont". (c. 1973). 307 x 240 mm. Annot. 2/75 and signed & titled in pencil. -- Joost ROELOFSZ. "Konijnen". 1972. Etching. 310 x 310 mm. Annot. 63/90 and signed & dated in pencil. -- And 5 o. (9).

KULHÁNEK, Oldrich (1940-2013). Erotické hrátky - Erotic games - Erotische Spiele. (1995). 7 cold. etchings. c. 295 x 195 mm. Lge-fol. In or. box w. small etched vignet on front side.

KULHÁNEK, Oldrich (1940-2013). "Opwaarts" (Parabola III). 1999. Lithogr. 760 x 550 mm. Annotated 10/100 and signed, titled & dated in pencil. -- Id. "Special Dialogue No. 1 or Hommage à Adrian de Vries". 1999. Lithogr. 830 x 603 mm. Annotated 14/90 and signed, titled & dated in pencil. -- (2).

KULHÁNEK, Oldrich (1940-2013). Prohibita 1967-91. (Prague, Vlad. Burjarek, 1990's). 1 explaining text-leaf & 13 or. etchings by Kulhánek, all signed, numb. "E.A." dated & titled in pencil. Lge-fol. In or. portfol.

LAAN, Dirk Jan van der (1759-1829). (People walking on a road near a house) and (A shepherd sitting with his sheep). N.d. Set of 2 drawings in pen and sepia. 108 x 144 mm and 108 x 149 mm. Both signed in brown ink near the lower edge: "D.J. van der Laen f." Hinged to cont. mounts. Under passepartout.

LATASTER, Ger (1920-2012). (No title). 1971. Cold. lithogr. 560 x 740 mm. Annotated 148/190 and signed in pencil. -- Jan MONTIJN (1924-2015). "Gebied van ons bestaan II". 1971. Cold. etching and aquatint. 310 x 492 mm. Annotated 148/190 and signed in pencil. -- (2).

LENK, Thomas (1933-2014). No title. (1969). Silkcreen print in black and silver. 600 x 600 mm. Signed, dated & numb. (II) in pencil. -- Id. No title. (1970). Silkscreen print in black and silver. 760 x 560 mm. Signed, dated & numb. (148/190) in pencil. -- (2).

LUCEBERT (ps. of L.J. Swaanswijk), (1924-94). 'VOX'. 1967. Etching and aquatint. 395 x 497 mm (image size). Annotated 148/190 and signed & dated in pencil.

MASEREEL, Frans (1889-1972). "Ere aan Verhaeren". 1955. Woodcut portrait of Émile Verhaeren. 450 x 320 mm. Annotated 'FM 1955' in the block and signed in pencil. Framed, glazed and under passepartout. Uninspected out of frame, but in v.g. condition.

MATTA, Roberto (= Enchaurren, R.A.S.M.) (1911-2002). "Utopiens au soleil". (1968). Cold. lithogr. 485 x 625 mm. Annotated 148/190 and signed in pencil.

MILITARIA -- "FRIEDRICH DER GROSSE mit seinen Generälen von den Manöuvern bei Potsdam nach Sans-Souci zurückkehrend." (Frankfurt a/M., F.C. Vogel, c. 1850). Plain lithogr. (by H. Monath after E.F. Cunningham). 500 x 710 mm. Framed, glazed and under passepartout. (Uninspected out of frame, small tear in (part of?) German caption, but else in good condition).

MILITARIA -- ("VELDSLAG BIJ WATERLOO, den 18 Junij 1815 / BATAILLE DE WATERLOO, le 18 Juin 1815". Amst., P. Hinkelaar, 1815). Cold. aquatint by J.A. Langendijk Dzn. 520 x 840 mm (image size). In a very fine matching 19th c. frame and glazed. (Uninspected out of frame, caption for the greater part missing (but perhaps folded backwards), in fine condition, apart from some obvious age-toning).

NACHENIUS, Jan Coenraad, (1890-1987). "Garderse eng". - "De Grift". - N.d. (1930's). 2 etchings. 180 x 460 & 205 470 mm. Titled, annotated "eigen druk" and signed in pencil. Framed, glazed and under passepartouts. (Both a bit age-toned, but in good condition). -- (2).

OOSTERKERK, J.W. (1928-2012). (Abstract composition with a circle). 1968. Etching and aquatint. 645 x 490 mm. Annotated 148/190 and signed in pencil. -- R. LUCASSEN (1939-). "The hat of Archie Shepp". 1968. Cold. lithogr. 735 x 550 mm. Annotated 148/190 and signed in pencil. -- A. SEGUI (1934-). "Vétements". 1968. Cold. lithogr. 635 x 510 mm. Annotated 148/190 and signed in pencil. -- And 2 o. (Verdijk & Vos), tog. 5 prints.

ORANGIST CARICATURE -- ("DE KEZENDANS"). Engr. representing several 'Kezen' dancing after the devil, w. 3 column letterpress text underneath. -- "OP DEN SOLDAAT speelende Domine Marcel". Engr. representing the devil handing over a gun and a sword to a 'Kees', w. 2 column letterpress text underneath. -- "DE VRIJHEID heefdt haar Hoofdt en eene Hand verlooren (…)". Engr. representing an amputated statue of liberty around which 'Kezen' dance in a circle. -- ("DE BEDOTTE KEES"). Engr. representing a 'Kees' who is fooled by a French rooster. -- "WOUD GY IN HOLLANDS TUIN uw helsche klaauwen zetten, (…)". Engr. representing armed 'Kezen' and roosters which are chased away by a Prussian hussar. -- Tog. 5 lvs., all published in 1787.

OSTADE, Adriaen Jansz. v. (1610-1685). (The Peasant settling his Debt). N.d. (between 1647 and 1653). Etching. 106 x 87 mm (image size). Hinged to mount. In good condition.

PHOTOGRAPHY -- NOOIJER, Paul de (b. 1943). ("Hommage à Baudelaire"). 1988. C-print. 510 x 408 mm. Hinged to mount, under passepartout. Signed w. felt pen, numbered 6 (of 30). -- Added: 5 blow ups of photographs of French writers (i.a. Colette, Claudel, Gide, Mauriac). N.d., 1990's. -- (6).

PORTRAITS -- "DUM VIVET". Amst., F. de Vletter & Comp., n.d. (1806). Cold. aquatint by W. v. Senus after F.W. Pieneman. 515 x 415 mm. (Margin w. several splits, 2 running into image). Allegory on the Death of Prince William V, 1806. Warranted by Pieneman w. his signature on the v°-side. Atlas v. Stolk 1617. -- "TER GEDAGTENIS van (…) Willem V". Amst., F. Groenewoud, n.d. (1806). Engr. by C. Forsel, cold. by hand, w. 4 line engr. poem. 510 x 360 mm. Atlas v. Stolk 1618. -- And 46 o. engr., lithogr., etc. portraits, primarily of 18th-19th c. Dutch and foreign royalty, incl. 8 mezzo tints. Diff. sizes. (48).

PORTRAITS -- VINKELES, Reinier (1741-1816). Collection of 31 engr. portraits of Dutch men of state, noblemen, etc. c. 1790. c. 140 x 88 mm image size each.

PORTRAITS -- "WITTE CORNELISZ DE WITH, Vice Admirael van Holland en West Friesland". Amst., Cl. de Ionghe, n.d. (between 1658 and 1690). Engr. by A. Blo(o)telingh after H. Sorch. 465 x 366 mm. -- Added: "DAVID VLUGH, SCHOUT BY NACHT van Hollandt en Westvrieslandt (…)". (Enkhuizen), E. v.d. Hoof, n.d. (between 1667 and 1707). Engr. by H. Bary (after J. de Bisschop). 430 x 310 mm. -- "CORNELIS TROMP Grave van Sylliesburg, (…)". Amst., I. Gole, n.d. (between 1680 and 1724). Fine mezzotint. 356 x 258 mm. -- Added: 6 similar portraits of admirals Vlugh (duplicate), Tromp, Van Wassenaer, Florisz, Evertsen, and (a smaller one) of De Ruyter. -- (9).

QUAST, Pieter (1605-1647). Collection of 7 prints from (different) series on beggars and peasants. First h. 17th c. Engr./etchings. Diff. sizes: smallest 138 x 88, largest 160 x 206 mm. All hinged to mounts, all under a separate passepartout. -- And 1 similar. (8).

RAAY, Jean Jozef George Frans ('Jozef') van (1898-1974). ("Schaatsers op de Kagerplassen"). 1937. Surface-tone etching. 320 x 400 mm. Under passepartout. Signed in pencil and in the plate. Edition not stated.

RAVEEL, Roger (1921-2013). "Een spiegel van Raveel". (1969). Silkscreen print in colour. 715 x 530 mm. Signed in the plate "R Raveel". Printed by Piet Clement.

RAVEEL, Roger (1921-2013). "Man, emmer, enz." 1967. Cold. lithogr. 770 x 565 mm. Annotated 148/190 and signed in pencil.

(RIVER SCENE). N.d. (after 1765 (watermark Honig & Zn.)). Drawing in pencil, ink and grey wash after Jan v. Goyen (1596-1656). 329 x 419 mm. Hinged to mount. Under passepartout.

ROGHMAN, Roelant (1627-1692). "Verscheijde Ghesichten, in 't Haechsche Bosch na 't Leven geteyckent". Amst., P. Nolpe, n.d. (2nd h. 17th c.?). Series of 6 (of 6) etched landscape views, numbered 1-6 in the plates. c. 210 x 260 mm. Hinged to mounts, all under a separate passepartout.

ROPS, Félicien (1833-1898). ("Dalécarlienne"). (1874). Etching. 240 x 187 mm (plate size). Monogrammed in the plate and inscribed "Au Lac Siljan, Août 1874". Owner's stamp 'L(eo) v(an M(aris)' on v°. Rouir 858:5. -- Added: ("Laitière anversoise"). Etching. 120 x 79 mm. Owner's stamp 'L(eo) v(an M(aris)' on v°. Rouir 447:2. -- And 1 o. (3).

ROPS, Félicien (1833-1898). "Dans la Püsta". 1879. Heliogravure. 132 x 49 mm. Signed in pencil by the artist. Fragment of "La messe de Gnide". Cf. Rouir 508. -- Id. "Mon bourgmestre" (&) "Le modèle. (1874). Etchings. 110 x 91 & 135 x 84 mm. Printed tog. on laid paper by Van Gelder. Rouir 425:4 & 517:7. -- And 3 o., all later states. Tog. 6 prints. The majority w. owner's stamp 'L(eo) v(an M(aris)' on v°.

ROPS, Félicien (1833-1898). "Le catéchisme des gens mariés". (1881). Heliogravure retouched with etching and drypoint. 170 x 120 mm. Rouir 645:1. -- Added: Id. "Amours et priapées". (1869). Etching. 165 x 108 mm. Rouir 621. -- Id. "Notes d'un vagabond". (1887). Heliogravure. 190 x 128 mm. Rouir 730:2. -- All w. owner's stamp 'L(eo) v(an M(aris)' on v°.

ROPS, Félicien (1833-1898). "Le Théatre Gaillard". N.d. Drawing in ink and pencil with an uncertain status (by Rops?). 152 x 92 mm. It appears to have been traced from what seems to be a mirror image print (Abklatsch?) of the frontispice for "Le Théatre Gaillard" (cf. Rouir 674). Note the lettering ("Avec permission…") in mirror writing! The drawing comes w. an invoice, dated 23 Oct. 1975 by A. Levilliers, described as "1 dessin" (?). -- Added: the second state of the print in sanguine inking of "Le Théatre Gaillard". 164 x 110 mm. -- And: Small watercolour drawing of a bee in flight 31 x 40 mm, signed in pencil by F. Rops. Laid down on mount. -- (3).

ROPS, Félicien (1833-1898). "Les chansons [badines] de Collé". (1880). Heliogravure w. drypoint on Japanese paper. 178 x 124. Number 41 of 50 numb. copies. Rouir 687:4. -- Id. "Le diable dupé par les femes". (1881). Heliogravure retouched with etching and drypoint on Japanese paper. 164 x 113 mm. Rouir 615:3. -- Id. "Les amusements des dames de Bruxelles". (1881). Heliogravure retouched with etching and drypoint on Japanese paper. 170 x 118 mm. Rouir 642:3. -- And 7 o. by R., mainly frontispices. -- Tog. 10 prints. All w. owner's stamp 'L(eo) v(an M(aris)' on v°.

ROPS, Félicien (1833-1898). "Œuvres inutiles ou nuisibles". 1879-80. Heliogravure reworked with etching, drypoint and soft varnish. 268 x 166 mm (image size). Signed by the artist in red pencil below the image. (Traces of former hinging on v°). Inscribed by the artist to "Mr. Lavallé"? Owner's stamp 'L(eo) v(an M(aris)' on v°. Rouir 908, 11th state. -- Added: same print, smaller in size. (2).

ROPS, Félicien (1833-1898). ("Oude Kate II"). (1895). Retouched heliogravure on Japanese paper. 258 x 194 mm, 207 x 143 mm (image size). Signed by the artist in red pencil underneath the image. W. blind stamp 'PAN' in right outer corner.

ROPS, Félicien (1833-1898). "Pornokrates" (or: "La dame au cochon"). Sparsely cold. heliogravure printed on wove paper. 380 x 274 mm, 275 x 180 mm (image size). (Sizes differ slightly from Rouir!). Signed by the artist in pencil below the image. (Paper age-toned). Hinged to mount under passepartout.

ROPS, Félicien (1833-1898). ("William Lesly"). (1875). Etching on Japanese paper. 233 x 161 mm (image size). Inscribed, signed, annotated "Thozée" and dated in the plate. Actually a self-portrait of the artist at work (Lesly = Rops). Rouir 940:7. -- Added: 2 different states of "L'affuteur". (1875). Etchings. 300 x 240 & 180 x 258 mm (plate sizes). Rouir 851:5 and 688:1 (based on the 5th state; plate size cropped). -- (3).

ROPS, Félicien (1833-1898). Collection of 20 prints, the majority later prints/adapted versions. Dif. sizes. Partly w. owner's stamp 'L(eo) v(an M(aris)' on v°.

ROPS, Félicien (1833-1898). Collection of 8 prints, incl. "Modernité" (Rouir 767:5), "L'Ariette" (published under the name Niederkorn; Rouir 954:3 and 954:5?), "Hypocrisie" (Rouir 648) and "Pallas" (Rouir 953:12?). -- And 3 o. -- Tog. 8 prints. The majority w. owner's stamp 'L(eo) v(an M(aris)' on v°.

ROPS, Félicien (1833-1898). Collection of miscellaneous prints and publications: ("LA MAROTTE MACABRE"). Rops's ex libris w. device "Aultre ne veulx estre". Etching. 86 x 51 mm. Rouir 361 (original). -- LE PETIT TOURISTE Journal fantaisiste, vagabond et à peu près mensuel. 2me année, n° 11, 2 Nov. 1884. (4) pp. 4°. Printed in a very limited ed., 12 issues were published. -- NOUVEAU CIRQUE, Jeudi 6 Mai 1886. Programme de la soirée. Flyer w. on one side an illustr. by Rops? 225 x 137 mm. -- [MENU CARD] 17 Juin 1877. Etching by Rops. 191 x 122 mm. Not in Rouir. -- [EX LIBRIS] "Kistemaeckers Éditeur". Etching. 70 x 50 mm. Signed in the plate. -- And 7 o. by/relating to Rops. (12).

RYOHEI, Tanaka (1933-). "Thatched roof by night". 1975. Etching and aquatint. 358 x 358 mm. Annotated 87/100 and signed & dated in pencil.

SALAMOUN, Jirí (1935-). "Gratulace". (1981). Cold. lithogr. 590 x 400 mm. Annotated E.A. 7/10 and signed in pencil. With artist's autograph dedication: 'An Leo v. M(aris)', dated 13/9/85. -- Id. "Act demonstrative". (1987). Cold. lithogr. 435 x 594 mm. Annotated 19/100 and signed & dated in pencil. -- Id. "Public Secret". (1987). Cold. lithogr. 433 x 594 mm. Annotated A.T. 11/30 and signed & dated in pencil. -- Id. No title. (1985). Plain lithogr. 435 x 594 mm. Annotated 19/100 and signed & dated in pencil. -- (4).

SCHOONHOVEN, Jan (1914-94). (Composition with leaves). 1972. Screenprint in black. Image size 600 x 450 mm., paper size 650 x 500 mm. Annotated 148/190 and signed & dated in pencil.

SHARP, Martin (1942-2013). Max Ernst. The Birdman. (c. 1967). Cold. lithograph and silkscreen print in blue, pink and black on silver metallic foil reflective card paper. 760 x 507 mm. (Some marg. creases, pin hole in all 4 corners).

STORM v. 'S GRAVESANDE, C.N. (1841-1924). "Dordrecht, le soir". (N.d.). Drypoint. 160 x 240 mm. Signed & titled in pencil. -- Id. (Barques sur l'Escaut). (N.d.). Etching. 207 x 258 mm. Signed in the plate. (A bit browned/foxed). -- H. van der JAGT. (1882-1970). ("Winter in Voorschoten"). 1950. Etching. 255 x 320 mm. Signed in pencil. -- And 7 o., (i.a. 3 by Calsina). (10).

STRUYCKEN, Peter (1939-). (Abstract composition in blue and red). 1966. Cold. silkscreen print. 400 x 400 mm. Monogrammed and dated in pencil (almost invisible). In limp brds. portfol.

STRUYCKEN, Peter (1939-). (Abstract composition in white, red & black). (1972). Cold. silkscreen print. 590 x 590 mm. Annotated 148/190 and signed in pencil. (2 small tears in right margin).

STRUYCKEN, Peter (1939-). Acht zeefdrukken. The Hague, Orez, 1966. 8 cold. silkscreens, each 400 x 400 mm. & printed title. Square-fol. Loose as issued in or. stiff paper portfol.

STRUYCKEN, Peter (1939-); Carel VISSER; Bob BONIES & Hans KOETSIER. De nieuwe abstractie (The New Abstraction). 1969. 4 cold. silkscreen prints, each signed and dated by Struycken, Visser, Bonies and Koetsier resp. Loose as issued in obrds. portfol. 4°. (Portfol. slightly soiled). - Rare.

SUCHÁNEK, Vladimír (1933-2021). "Annunciation I". (N.d.). Cold. lithogr. 430 x 290 mm. Annotated 22/140 and signed in pencil. -- Id. "Graceful Fortune-teller". (N.d.). Cold. lithogr. 325 x 245 mm. Annotated 89/100 and signed & titled in pencil. -- Id. "Harlequin". (N.d.). Cold. lithogr. 280 x 225 mm. Annotated 22/140 and signed in pencil. -- Id. "Melancholy and Desire". (N.d.). Cold. lithogr. 330 x 228 mm. Annotated 46/180 and signed in pencil. -- Id. "Lady and the Balloon". (N.d.). Cold. lithogr. 350 x 220 mm. Annotated 34/100 and signed in pencil. -- (5).

SUCHÁNEK, Vladimír (1933-2021). "Franz Kafka". N.d. Cold. lithogr. portr. 140 x 110 mm. Annotated 99/100 and signed in pencil. Framed, glazed and under passepartout. -- Added: "Chopin". Prague, 1979. Cold. lithogr. portr. 260 x 260 mm. Épreuve d'artiste (?). Signed and dated in pencil. -- And 1 o. by the same: "Leo 23 vi 1982", signed and annotated by the artist in pencil: "Für Leo, herzlich". 1982. Cold. lithogr. 47 x 35 mm. Framed, glazed and under passepartout. -- (3).

SUCHÁNEK, Vladimír (1933-2021). "Julietta". (N.d.). Cold. lithogr. 610 x 453 mm. Annotated 15/100 and signed in pencil. -- Id. "Trap of Time". (1988). Cold. lithogr. 455 x 360 mm. Annotated 40/100 and signed in pencil. -- Id. "Stereo". (1988). Cold. lithogr. 440 x 300 mm. Annotated 57/90 and signed in pencil. -- Id. "Dotek svetla". (N.d.). Cold. lithogr. 500 x 350 mm. Annotated 43/70 and signed in pencil. -- (4).

SUCHÁNEK, Vladimír (1933-2021). "Krajina Fernanda Khnopffa". (N.d.). Cold. lithogr. 570 x 410 mm. Annotated 88/100 and signed in pencil. -- Id. "Dialogue". (1994). Cold. lithogr. 717 x 540 mm. Annotated 51/100 and signed in pencil. -- Id. "Nostalgicka vaza". (N.d.). Cold. lithogr. 660 x 535 mm. Annotated 88/100 and signed in pencil. -- (3).

SUCHÁNEK, Vladimír (1933-2021). "Laying I". (1988). Cold. lithogr. 410 x 320 mm. Annotated 79/180 and signed in pencil. -- Id. "Laying II". (1988). Cold. lithogr. 400 x 320 mm. Annotated 82/100 and signed in pencil. -- Id."Homage to Jakub Schikanedr". (N.d.). Cold. lithogr. 300 x 230 mm. Annotated 23/40 and signed & titled in pencil. -- Id. "Letter". (1998). Cold. lithogr. 305 x 210 mm. Annotated "E.A." and signed in pencil. -- Id. "In the Cage". (N.d.). Cold. lithogr. 360 x 220 mm. Annotated 35/120 and signed in pencil. -- (5).

SUCHÁNEK, Vladimír (1933-2021). "Melancholická ulita IV". (N.d.). Cold. lithogr. 250 x 190 mm. Annotated 65/100 and signed in pencil. -- Id. "Melancholická ulita V". (N.d.). Cold. lithogr. 330 x 250 mm. Annotated 26/100 and signed in pencil. -- Id. "Divka s musli". (N.d.). Cold. lithogr. 355 x 230 mm. Annotated 17/100 and signed in pencil. -- Id. "Zakleta". (1993). Cold. lithogr. 330 x 250 mm. Annotated 29/100 and signed in pencil. -- Id. "Homage to Josef Síma". (N.d.). Cold. lithogr. 300 x 230 mm. Annotated 23/40 and signed and titled in pencil. -- (5).

SUCHÁNEK, Vladimír (1933-2021). "Poselstvi". (N.d.). Cold. lithogr. 680 x 525 mm. Annotated 36/100 titled and signed in pencil. -- Id. "Love angel". (1989). Cold. lithogr. 715 x 550 mm. Annotated 29/100 and signed in pencil. -- Id. "Levitace únik". (1992). Cold. lithogr. 700 x 540 mm. Annotated 19/100 and signed in pencil. -- (3).

SUCHÁNEK, Vladimír (1933-2021). "Prometheus". (N.d.). Cold. lithogr. 484 x 375 mm. Annotated 13/XX, titled and signed in pencil. -- Id. "Rozlouceni". (N.d.). Cold. lithogr. 430 x 320 mm. Annotated 26/35 and signed in pencil. -- Id. "Intermezzo". (N.d.). Cold. lithogr. 486 x 375 mm. Annotated 22/35 and signed in pencil. -- (3).

SUCHÁNEK, Vladimír (1933-2021). "Sestricky z villars". (N.d.). Cold. lithogr. 368 x 526 mm. Annotated 24/90 and signed in pencil. -- Id. Cervená Kleopatra. (N.d.). Cold. lithogr. 680 x 519 mm. Annotated 49/60 and signed in pencil. -- (2).

SUCHÁNEK, Vladimír (1933-2021). "Silent head". (N.d.). Cold. lithogr. 710 x 550 mm. Annotated 31/100 and signed in pencil. -- Id. "Golden Angel". (N.d.). Cold. lithogr. 735 x 560 mm. Annotated 19/100 and signed in pencil. -- Id. "Souvenir". (1984). Cold. lithogr. 460 x 365 mm. Annotated 53/100 and signed in pencil. -- (3).

SUCHÁNEK, Vladimír (1933-2021). "Tajemstvi". (1997). Cold. lithogr. 494 x 384 mm. Annotated 37/75 and signed in pencil. -- Id. "Stormy weather". (N.d.). Cold. lithogr. 378 x 328 mm. Annotated 26/75 and signed in pencil. -- Id. "Návsteva". (N.d.). Cold. lithogr. 500 x 380 mm. Annotated 61/75 and signed in pencil. -- (3).

SWIDDE, Willem (1660/61-1697). "Verscheijde Landschapjes. Seer aardig getekent door D. Dalens, geëtst door w. Swidde, en Uijtgegeven door Nicolaus Visscher met Privilegie". Complete series of 6 etched landscape views, numbered 1-6. c. 143 x 230 mm. All inscribed in the plate. Hinged to mounts, all under a separate passepartout. (Trimmed around borderline, mounted on 18th c. paper).

TAJIRI, Shinkichi (1923-2009). "Mayday". (1969). Cold. silkscreen print. 484 x 637 mm. Annotated 148/190 and signed in pencil. (A few small marg. creases). - Added: Mark BRUSSE (1937-). "La Lumiere". Cold. silkscreen print. 520 x 740 mm. Annotated 148/190 and signed in pencil. -- (2).

TENIERS, David (1610-1690). Series of 4 etchings dep. farmers drinking, playing the lute (!), smoking tobacco, etc., after David Teniers, numbered 1-4. Each c. 75 x 57 mm. Inscribed in the plates. Tipped in on older mounts, all under separate passepartouts. Owner's stamps on r° Friedrich August Petersen. -- Added: 8 odd etchings/engravings, i.a. from "capricci di varie figure" by Jacques CALLOT (1592-1632). Diff. sizes: largest 80 x 115 mm, smallest 55 x 82 mm. Hinged to mounts, under passepartouts. -- (12).

TRICENIUM, or three-way view of Jesus, Mary and Christ on the Cross. (19th c.). Cold. lithogr. Image size: 490 x 377 mm. Frame size: 660 x 550 mm. In pronounced plaster cast ornamented gilt frame and glazed. (Lower side of frame dam.: 10 cm. of ornament gone).

TWELVE MONTHS -- BLOEMAERT, Abraham (1566-1651). De Twaalf maanden des Iaars. N.pl., Th. Danckerts, n.d. (last quarter 17th c.). Engr. title (141 x 180 mm) and 12 engr. plates by Fr. Bloemaert (the son) after Abr. Bloemaert, each 126 x 166 mm. 8°-obl. Stab sewn, no front cover. (Outer blank margin of title a bit frayed, small tear in blank margin of plate May, else a good copy).

TWELVE MONTHS -- ("TWELVE MONTHS"). French School, c. 1625-30. 3 engr. plates, each w. 4 oval representations of the months. Plate size 153 x 211 mm, the 'ovals' c. 70 x 90 mm each. Hinged to mounts, under 3 passepartouts. -- Added: 11 engr. from 3 series of twelve months, not complete. -- (14).

TWELVE MONTHS -- WIT, Isaac de, Jansz (1744-1809). "De twaalf maanden". N.pl., n.d. (c. 1807). Etched title after J.P. Visser Bender, and 12 fine etchings after J. Cats. Each 128 x 180 mm. All hinged to mounts, all under a separate passepartout.

TWELVE MONTHS -- WIT, Isaac de, Jansz (1744-1809). ("De twaalf maanden". N.pl., n.d. (c. 1805-07)). Series of 12 fine etchings after J. Cats, printed in sepia. All captioned and signed/dated underneath the plate. Each 128 x 180 mm (image size); plate margins c. 25 mm on 3 sides, text margin c. 30 mm. Bound in old 4° h. vellum bind. (Margins cut close to/on plate margins, some very light foxing).

"UFO DIMENSIONS. The ever changing time space warp show. UFO Gallery (…) San Francisco". (1967). Vintage cold. silk screen print. 563 x 438 mm. (Small crease in lower outer margin, else fine). -- Added: (VIETNAM ANTI-WAR POSTER). San Francisco, The Blindweed Press, 1967. Poster designed by Lyndon Johnson. 510 x 364 mm. Vintage anti-war poster. -- (2).

VASARELY, Victor (1908-97). "Tavoll positive". (1970). Cold. silkscreen print. 760 x 730 mm. Annotated CXLVIII/CXC and signed in pencil. (Small tear in left blank margin, a few small creases).

VELDE II, Jan van de (1593-1641). Collection of various prints, primarily landscapes. c. 1615. Tog. 7 etchings. Diff. sizes: largest 122 x 320 mm, smallest 100 x 174 mm. All hinged to mounts. -- Added: Collection of 12 landscapes by M. Merian, from various series. Each c. 115 x 152 mm. Tipped in in pairs of 6 on 2 mounts. -- And: 1 o. series of 6 landscape prints. 18th c. -- (25).

VELDE, Bram van (1895-1981). "Litho III". (1966). Lithogr. 470 x 720 mm. Annotated 148/190 and signed in pencil.

"VERGADER-KAMER VAN DE HEEREN STATEN VAN HOLLAND EN WESTVRIESLAND". (Delft, etc.), R. Boitet, (c. 1730). Engraving by J.C. Philips after M. Terwesten & G. v. Giessen. 685 x 490 mm. (image size). In older oak wooden frame under glass. (Clean, small split in right outer part).

VINNE, Jan Vincentsz. van der (1663-1721). "Gesigten buijten Haarlem". (Haarlem, c. 1680-1700). Series of 7 etched views (of 12) in the surroundings of Haarlem. c. 151 x 193 mm each, annotated and numbered underneath the image in the plate. Hinged to mounts, all under a separate passepartout.

VISSER, Carel (1928-2015). "Houtsnede II". 1966. Woodcut in yellow, printed on Japanese paper. Paper size 620 x 880 mm. Annotated 148/190 and signed & dated in pencil. (Margins a bit wrinkled and slightly browned).

VLIET, Willem van der (1856-1924). (Figure studies). Drawing in pencil on paper. 260 x 335 mm. -- Gerard Willem Pieter ('Gerrit') v. DOKKUM (1870-1931). (A tinsmith (?) at work). Drawing in black chalk on paper. 207 x 207 mm. -- Henricus Joannes MELIS (1845-1923). (Study of a chimney sweeper (?)). Drawing in colour wash on thick paper. 283 x 193 mm. -- All 3 hinged to mounts, under passepartout. -- And 3 o. anonymous 2nd h. 19th c. drawings. (6).

VOSS, Jan (1936-). "No title". (1969). Cold. lithogr. 635 x 450 mm. Annotated 148/190 and signed in pencil. -- Pat ANDREA (1942-). "Apport". (1970). cold. lithogr. 330 x 550 mm. Annotated 148/190 and signed in pencil. -- Eduard FLOR (1925-2015). "Sky at Night". (c. 1970). Cold. etching and aquatint. 485 x 580 mm. Annotated 148/190 and signed in pencil. -- (3).

WEIßKUNIG (THE WHITE/WISE KING) -- ("CLEF") - ("HULST, das sie auß der stat wollten"). - (Vienna, Kurzboeck, 1775). 2 woodcuts on laid paper, no watermark detected. 219 x 193 & 222 x 193 mm. Hinged to mounts.

WESTERIK, Co (1924-2018). (Kleine jongen met twee dames buiten). 1971. Tinted lithogr. 308 x 416 mm. Annotated 148/190 and signed in pencil.

WITJENS, Jan Willem Hendrik ('Willem'), (1884-1962). ("Herinnering winter 1929"). Vereen. St. Lucas, 1929. Etching. 397 x 496 mm. Under passepartout. Signed in pencil and monogrammed 'WW' in the plate. -- Added: Id. ("Hedikshuizen in de sneeuw"). 1946. Etching. 195 x 345 mm. Under passepartout. Signed in pencil, signed in the plate and dated. (A bit age-toned). -- Also added: Arend Hendriks (1901-1951). "Oud Scheveningen". 1931. Etching. 317 x 200 mm. Under passepartout. Signed in pencil and in the plate. -- And 1 o. (4).