ALISON, J. The Surreal House. (2010). 4°. Obrds. -- G. DUROZOI. History of the Surrealist Movement. Transl. by A. Anderson. (2002). 4°. Ocl. w. dust-j. -- S. TAYLOR. Hans Bellmer, the Anatomy of Anxiety. (2000). Ocl. w. dust-j. -- C.V. POLING. André Masson and the Surrealist Self. (2008). 4°. Obrds. w. dust-j. -- R. McNAB. Ghost Ships. A Surrealist Love Triangle. (2004). Sm-4°. Obrds. w. dust-j. -- And 1 o. (6).

ALŸS, F. Fabiola: An Investigation. 2008. Tall 8°. Ohcl. -- J. BAAS, ed. Fluxus and the Essential Questions of Life. (2011). 4°. Owrps. -- D.J. SHERMAN. French Primitivism and the Ends of Empire, 1945-1975. Ocl. w. dust-j. -- K.M. CABAÑAS. The Myth of Nouveau Réalisme. Art and Performative in Postwar France. (2013). Ohcl. -- J. DUBUFFET. Paintings, Sculptures, Assemblages, 1943-1963. (1993). 4°. Ocl. w. dust-j. -- And 4 o. (9).

ATHANASSOGLOU-KALLMYER, N.M. Cézanne and Provence. The Painter in His Culture. (2003). Lge-4°. Ocl. w. dust-j. -- Ph. CONISBEE & D. COUTAGNE. Cézanne in Provence. (2006). Lge-4°. Ocl. w. dust-j. -- M. SIMMS. Cézanne's Watercolors. Between Drawing and Painting. (2008). Lge-4°. Obrds. w. dust-j. -- R. BUTLER. Hidden in the Shadow of the Master. The Model-Wives of Cézanne, Monet, & Rodin. (2008). Obrds. w. dust-j. -- And 6 o. on C. (10).

BRETON, A. Le surréalisme et la peinture. Paris, 1928. 72, (6) pp. W. 77 photo-engr. plates by Ernst, De Chirico, Miró, Arp, Picasso, Man Ray, a.o. 4°. Owrps., uncut. (Lower spine end of cover a bit dam.).

BRÜDERLIN, M., ed. Ornament and Abstraction. The Dialogue between non-Western, modern and contemporary Art. (2001). 4°. Obrds. w. dust-j. -- B. FER. The Infinite Line, re-making Art after Modernism. (2004). Sm-4°. Obrds. w. dust-j. -- Id. On Abstract Art. (1997). Sm-4°. Obrds. w. dust-j. -- S. EDWARDS & P. WOOD, ed. Art of the Avant-Gardes. (2004). Sm-4°. Obrds. w. dust-j. -- And 5 o. (9).

CALLEN, A. The Art of Impressionism. Painting technique & the Making of Modernity. (2000). First full-scale exploration of Impressionist techniques. -- BLOCK, J. & E.W. LEE. The Neo-Impressionist Portrait 1886-1904. (2014). -- J. D. HERBERT. Fauve Painting. The Making of Cultural Politics. 1992. -- P.H. TUCKER. The Impressionists at Argenteuil. (2000). -- 4 vols. Diff. sizes. Or. binds. w. dust-j. -- And 8 o. on Impressionism. (12).

CASSIRER, P. Menu zum 50. Geburtstage von Paul Cassirer. (Berl., 1921). 7 lvs. W. lithogr. ti. by Max Slevogt, 1 lithogr. text-leaf w. menu von Emil Orlik & 5 or. lithogr. (1 cold.). 4°. Or. cordbound wrps.

(CENDRARS, B. & S. DELAUNAY). La Prose du Transsibérien et de la Petite Jehanne de France. (Photomech. reprint of the ed. 1913). (2009). Concertina fold. poem in French w. designs by Delaunay. W. separate booklet containing transl in English. In envelope. Printed in a limited edition. -- Added: G. HUGHES. Resisting Abstraction. Robert Delaunay and Vision in the Face of Modernism. (2014). -- P. BROOKE. Albert Gleizes. For and Against the Twentieth Century. (2001). -- R.R. BRETTELL & A.-B. FONSMARK. Gauguin and Impressionism. (2005). -- E.M. ZAFRAN. Gauguin's Nirvana. Painters at Le Pouldu 1889-90. (2001). 4°. Obrds. w. dust-j. -- 5 vols. 4°. Last 4 or. binds. w. dust-j. -- (5).

CHAGALL, M. Dessins pour la Bible. (Paris, Verve, 1960). W. 96 b/w plates & 24 orig. cold. lithogr. printed by Mourlot Frères. Sm-fol. Or. lithogr. brds. after design by the artist w. mylar dust-j. (Bind. in mint condition, some faint age-toning in places within, but a very good copy). (Verve. Revue artistique et littéraire. Vol. 10, nr. 37-38).

CHAGALL, M. Illustrations pour la Bible. Textes p. M. Schapiro et J. Wahl. Utrecht, A.W. Bruna & Zn., (1956). W. 17 cold. lithogr. plates (incl. ti.-p.), 12 monochrome lithogr. plates, 105 full-p. photo-engr. plates of the etchings. Fol. Or. lithogr. brds. des. by Chagall w. mylar cover. (Verve, Revue artistique et littéraire, Nr. 33-34). (Spine ends show some very light rubbing, but altog. a very fine copy).

CHAGALL, M. Vitraux pour Jérusalem. (Monte Carlo), A. Sauret, (1962). 210, (6) pp. W. 2 full-p. or. cold. lithogr. and 103 plates, the majority in colour. Fol. Ocl. w. dust-j. (Dust-j. a bit dam. at spine end, but a very good and clean copy).

CHAGALL -- CAIN, J. (&) Ch. SORLIER. Chagall lithographe. Avant-propos de M. Chagall. Notices de F. Mourlot. Vol. I-IV. Paris, (etc.), A. Sauret, (1960-74). 4 vols. W. tog. 27 (20 cold.) or. lithogr. Fol. Ocl. w. dust-j. and mylar covers.

CHAGALL -- GOLL, C. & Y. Dix mille aubes. (Poèmes d'amour). Paris, Falaize, (1951). 93 pp. W. 8 plain illustr. in text by M. Chagall. 16°. Owrps., unopened. W. the or. belly band w. text by P. Guth.

CHAGALL -- GOLL, C. Diary of a horse. (N.Y), Editions Hemospheres, (1946). (14) lvs. W. 4 or. drawings printed in blue ink. 4°. Obrds. (Spine a bit dam. (espec. at bottom) and fragile).

CHAGALL -- LASSAIGNE, J. Chagall. Paris, Maeght Éd., 1957. 177, (3) pp. W. 15 or. lithogr. plates by M. Chagall: 13 cold. and 2 black & white, including dust-jacket cover, title page, and 4 double page fold-outs, all printed by Mourlot). Sm-4°. Obrds. w. owrps & mylar cover.

CHAGALL -- (SAN LAZZARO, G. di), (ed.). Chagall monumental. (Paris, 1973). (2), 133, (3) pp. W. double-p. or. cold. lithogr. by Chagall and num. illustr. Fol. Ocl. w. dust-j. (XXe siècle, numéro spécial hors abonnement). Mourlot IV, 699. Fine copy. -- Added: M. CHAGALL. Le message biblique. Préface de J. Chatelain. Paris, F. Mourlot, (1972). 199, (2) pp. W. or. front. lithogr. by M. Chagall and num. illustr. in text. Fol. Ocl. w. dust-j. Mourlot 689. Fine copy -- (2).

COGEVAL, G., (a.o.). Édouard Vuillard. (Washington, Montreal Museum of Fine Arts, 2003). Fol. Ocl. w. dust-j. -- G. GROOM. Édouard Vuillard, Painter-Decorator. Patrons and Projects, 1892-1912. (New Haven, 1993). Lge-4°. Obrds. w. dust-j. -- And 2 o. on the same. (4).

DABROWSKI, M. & R. LEOPOLD. Egon Schiele. The Leopold Collection, Vienna. (1997). 4°. Obrds. w. dust-j. -- K.A. SMITH. Between Ruin and Renewal. Egon Schiele's Landscapes. (2004). 4°. Obrds. w. dust-j. -- D. RADYCKI. Paula Modersohn-Becker. The First Modern Woman Artist. (2013). 4°. Obrds. w. dust-j. -- M. GODFREY. Abstraction and the Holocaust. (2007). Sm-4°. Obrds. w. dust-j. -- And 5 o. (9).

DELAUNAY, S. Tapisseries. Paris, Musée d'Art Moderne, (1972). 35 pp. W. 1 cold. lithogr. printed on Arches, loosely added, signed and numbered '124' (of 125) in pencil by the artist, under tissue guard, and 14 cold. illustr. in text. Lge-4°. Ocl. (Outer upper and left margin of loose lithogr. a bit age-toned).

DONGEN -- COURIÈRES, E. des. Van Dongen. Par., H. Floury, 1925. 44, (7) pp. W. 108 (tipped-in) (cold.) plates (incl. 8 pochoir cold. plates) & num. ill. 4°. Owrps., uncut. (Spine a bit dam. (as usual)).

DONGEN -- COURIÈRES, É. des. Van Dongen. (Paris, H. Floury ("tiré sur les presses de Pierre Dumont"), n.d. (= probably 1921)). xxix pp. W. 2 equal front. lithogr. ('la perruque d'argent'): 1 printed in black, 1 in sanguine. 4°. Cont. hcl. w. marbled brds., or. covers bound up, uncut.

DUCHAMP, M. Étant donnés: 1° La chute d'eau; 2° le gaz d'éclairage. (Photomech. reprint of the Manual of Instructions, 1966). New Haven, (etc.), 2009. Lge-4°. Or. bind. W. loosely inserted translation. -- P. HULTEN, ed. Marcel Duchamp. Work and Life. (1993). Sm-fol. Ocl. w. dust-j. -- A.C. GOODYEAR (&) J.W. MCMANUS, ed. Inventing Marcel Duchamp. The Dynamics of Portraiture. (2009). Fol. Obrds. -- Th. de DUVE. The Definitively Unfinished Marcel Duchamp. (1991). 4°. Obrds. -- T.J. DEMOS. The Exiles of Marcel Duchamp. (2007). Obrds. w. dust-j. -- (5).

DUVE, Th. de. Kant after Duchamp. (1996). Lge-8°. -- Fr. PICABIA. I am a beautiful monster. Poetry, prose, and provocation. Transl. by M. Lowenthal. (2007). Lge-8°. -- G. BAKER. The Artwork Caught by the Tail. Francis Picabia and Dada in Paris. (2007). Lge-8°. -- Chr. POGGI. In Defiance of Painting. Cubism, Futurism, and the Invention of Collage. (1992). Sm-4°. -- 4 vols. Ocl. w. dust-j. -- And 8 o. on 20th c. avant-garde art and artists. (12).

EDWARDS, P. Wyndham Lewis. Painter and Writer. (2000). 4°. Obrds. w. dust-j. -- R. CORK. Art Beyond the Gallery in Early 20th c. England. 1985. 4°. Obrds. w. dust-j. -- B. ARNOLD. Mainie Jellett and the Modern Movement in Ireland. (1991). Lge-4°. Obrds. w. dust-j. -- M.J.K. WALSH. C.R.W. Nevinson. This Cult of Violence. (2002). Lge-8°. Obrds. w. dust-j. -- And 5 o. (9).

FERRETTI-BOCQUILLON, M., (a.o.). Signac 1863-1935. (2001). Lge-4°. Ocl. w. dust-j. -- P. SMITH. Seurat and the Avant-Garde. (1997). Lge-4°. Obrds. w. dust-j. -- R.R. BRETTELL & J. PISSARRO. The Impressionist and the City. Pissarro's Series Paintings. (1992). Lge-4°. -- M. WARD. Pissarro, Neo-Impressionism, and the Spaces of the Avant-Garde. (1996). Ocl. w. dust-j. -- And 3 similar. (7).

FRIED, M. Manet's Modernism or, The Face of Painting in the 1860's. (1996). Lge-8°. Ocl. w. dust-j. -- J. WILSON-BAREAU & D. DEGENER. Manet and the Sea. (2003). Lge-4°. Ocl. w. dust-j. -- Id. Manet, Monet and the Gare Saint-Lazare. Lge-4°. Obrds. w. dust-j. -- C. ARMSTRONG. Manet Manette. (2002). 4°. Obrds. w. dust-j. -- And 3 o. on M. (7).

GANZ, J.A. & R. KENDALL. The Unknown Monet. Pastels and Drawings. (2007). -- M.M. GEDO. Monet and his Muse. Camille Monet in the Artist's Life. (2010). -- R.L. HERBERT. Monet on the Normandy Coast. Tourism and Painting, 1867-1886. (1994). -- P.H. TUCKER. Monet in the '90s. The Series Paintings. (1989). -- 4 vols. 4°/lge-4°. Or. binds. w. dust-j. -- And 6 o. on M. (10).

GETSY, D.J. Abstract Bodies. Sixties Sculpture in the Expanded Field of Gender. (2015). Sm-4°. Obrds. w. dust-j. -- R. COZZOLINO, ed. The Female Gaze. Women Artists Making Their World. 2012. 4°. Ocl. w. dust-j. -- Ch. HARRISON. Painting the Difference. Sex and Spectator in Modern Art. (2005). 4°. Ocl. w. dust-j. -- M. BAL. Louise Bourgeois' Spider. The Architecture of Art-Writing. (2001). Ocl. w. dust-j. -- And 11 o. on similar subjects. (15).

GRIEVE, A. Constructed Abstract Art in England after the Second World War. A neglected Avant-garde. (2005). 4°. Ocl. w. dust-j. -- P. ELLIOTT. Tony Cragg, Sculptures and Drawings. (2011). Lge-4°. Obrds. -- A. KAPOOR. Past, Present, Future. (2008). Obrds. -- Id. Unconformity and Entropy. Texts by A. Lowe and S. Schaffer. (2009). Or. limp black brds. w. belly band. -- And 2 o. (6).

GROOM, G., ed. Impressionism, Fashion, & Modernity. (2012). -- J. BLOCK & E.W. LEE. The Neo-Impressionist Portrait 1886-1904. (2014). -- J. HOUSE. Impressionism. Paint and Politics. (2004). -- R.R. BRETTEL. Impressionism. Painting quickly in France, 1860-1890. (2000). -- 4 vols. 4°. Or. binds. w. dust-j. -- And 7 similar. (11).

HESSE, E. Drawing. Ed. by C. de Zegher. (2006). 4°. Or. illustr. brds. -- Id. A retrospective. Exhibition and catalogue organized by H.A. Cooper. (1992). Lge-4°. Ocl. w. dust-j. -- Id. Datebooks 1964/65. A facsimile edition. Introd. by S. Folie. (2006). Explanatory booklet and 2 diaries in cardboard box in transparant plastic slipcase. -- E. SUSSMAN, ed, Eva Hesse. (New Haven, (etc.), 2002). Lge-4°. Ocl. w. dust-j. -- And 2 o. by/on H. (6).

(INVADER & J. COHEN-SKALI). L'Invasion de Paris 1.2. & 2.0. Livre 01: La Genèse; livre 02: Proliferation. (1st-3rd printing. N.pl., Control P, 2012). 2 vols. 224; 251, (6) pp. Prof. illustr. w. maps, photogr., etc. 4°. Obrds. (Upper outer corner front side vol. 2 a bit rubbed/slightly dam.). In or. slipcase.

IVES, C., (a.o.). Vincent van Gogh, The Drawings. (2005). Lge-4°. Ocl. . dust-j. -- D. AMORY, ed. Pierre Bonnard. The Late Still Lifes and Interiors. (2009). Lge-4°. Ocl. w. dust-j. -- M. FERRETTI-BOCQUILLON, (a.o.). Signac 1863-1935. (2001). Lge-4°. Ocl. w. dust-j. -- A. HIGONNET. Berthe Morisot's Images of Women. 1992. Ocl. w. dust-j. -- And 9 o., incl. works on Gauguin, Caillebotte, Toulouse-Lautrec, Morisot. (13).

KANDINSKY -- DERRIÈRE LE MIRROIR 42; 60-61; 77-78; 101-102-103: Kandinsky. (Paris, Maeght Éd., 1951-57). Set of 4 issues published by DLM on Kandinsky in 1 vol. W. tog. 2 or. woodcuts and 19 lithogr., 16 in colour. Fol. Black cl. (publisher's binding?). (Margins trimmed w. some resultant loss of text).

KANE, C.L. Chromatic Algorithms. Synthetic Color, Computer Art, and Aesthetics after Code. Chicago, (etc.), Univ. of Chicago Press, (2014). (8), 344 pp. Ocl. w. dust-j.

KARMEL, P. Picasso and the Invention of Cubism. (2003). 4°. Obrds. w. dust-j. -- M. McCULLY, ed. Picasso. The Early Years, 1892-1906. (1997). Lge-4°. Ocl. w. dust-j. -- Chr. GREEN. Picasso, architecture and vertigo. (2005). Sm-4°. Obrds. w. dust-j. -- G. TINTEROW & S.A. STEIN, ed. Picasso in the Metropolitan Museum of Art. (2010). Fol. Ocl. w. dust-j. -- And 5 o., incl. 4 on P. (9).

KIPPENBERGER, M. The Problem Perspective. Organized by A. Goldstein. (2008). 4°. Obrds. w. dust-j. -- D. ROTH. Diaries. (Transl by M. Wood, D. Tegue and R. Stockman). (2012). 4°. Or. clothbacked brds. w. dust-j. -- Id. & B. ROTH. Work Tables & Tischmatten. Ed. by B. Rosen. (2010). 4°. Ocl. w. dust-j. -- A. KIEFER. The Heavenly Palaces: Merkabah. Ed. by P. Nisbet. (2003). Fol. Obrds. w. dust-j. -- And 4 o. (8).

KLEINFELDER, K.L. The Artist, his Model, her Image, his Gaze. Picasso's Pursuit of the Model. (1993). Sm-4°. Ocl. w. dust-j. -- M. FITZGERALD. Picasso and American Art. (2007). Lge-4°. Ocl. w. dust-j. -- Id. Picasso. The Artist's Studio. (2001). 4°. Obrds. w. dust-j. -- M. McCULLY, ed. Picasso. The Early Years, 1892-1906. (1997). Lge-4°. Ocl. w. dust-j. -- S. D'ALESSANDRO. Picasso and Chicago. (2013). 4°. Obrds. w. dust-j. -- And 2 o. (7).

LEIGHTEN, P. The Liberation of Painting. Modernism and Anarchism in Avant-Guerre Paris. (2013). 4°. Ocl. w. dust-j. -- Chr. GREEN. Art in FRance 1900-1940. (2000). 4°. Owrps. -- D. COTTINGTON. Cubism in the Shadow of War. The Avant-Garde and Politics in Paris 1905-1914. (1998). Sm-4°. Obrds. w. dust-j. -- P. de FRANCIA. Fernand Leger. 1983. 4°. Obrds. w. dust-j. -- And 14 o. works on pre-war French painting. (18).

LEWIS, D. Terry Frost, a personal narrative. Ed. by E. Knowles. (1994). 4°. Ocl. w. dust-j. -- H. HODGKIN. Paintings 1992-2007. Ed. and curated by J.M. Alexander (&) D. Scrase. (2007). 4°. Ocl. w. dust-j. -- J. VIRTUE. London Paintings. (2005). Lge-8°. Ocl. w. dust-j. -- A. WATT. Phantom. (Texts by) C. Wiggins & D. Paterson. (2008). 4°. Obrds. w. dust-j. -- R. LLOYD. Hockney Printmaker. (2014). 4°. Owrps. -- And 8 o. (13).

LIEBERMANN, M. Radierungen. M. Text v. R. Graul. Berl., (1893). Ti-p., "Inhalt", & pp. I-VIII (text-leaves only). Containing 5 etchings & 2 lithographs. Loose as issued. Lge-fol. (Ti-p. slightly foxed).

LLOYD, J. German Expressionism. Primitivism and Modernity. 1991. 4°. Ocl. w. dust-j. -- T.J. CLARK. Farewell to an Idea. Episodes from a History of Modernism. (1999). Lge-8°. Ocl. w. dust-j. -- M. BECKMANN. Self-Portrait in Words. Collected Writings and Statements, 1903-1950. Ed. and annot. by B.C. Buenger. (1997). Ohcl. w. dust-j. -- S.C. FOSTER, ed. Hans Richter. Activism, Modernism, and the Avant-Garde. (1998). Ocl. w. dust-j. -- And 13 o. on German Avant-Garde Artists and Expressionism. (17).

LYNCH, B. Tony O'Malley. (1996). 4°. Ocl. w. dust-j. -- M. GARLAKE. New Art, New World. British Art in Postwar Society. (1998). Lge-8°. Obrds. w. dust-j. -- M. STEVENS. Alfred Sisley, Impressionist Master. (2017). Lge-8°-obl. Obrds. w. dust-j. -- R. CORK. David Bomberg. 1987. 4°. Ocl. w. dust-j. -- And 6 o. (10).

MATISSE, H. Cinquante dessins. (Paris, V. Jacquemin), "Album édité par les soins de l'artiste", 1920. Blank, 8, (4); (2) pp. W. or. front. etching printed on Chine collé, signed by the artist in ink, and 50 full-p. plain photo-lithogr. plates (numbered 2-51), all under captioned tissue guards. 4°. Mod. hcf., owrps. bound up (back cover w. linocut vignette), uncut. (Minimal age-toning, first and last three lvs. have some minor foxing, else in foutstanding condition).

MATISSE -- KOSINSKI, D., (a.o.). Matisse, Painter as Sculptor. (2007). -- C. DEBRAY, ed. Matisse in his Time. (2016). -- E. MCBREEN. Matisse's Sculpture. The Pinup and the Primitive. (2014). -- J. KLEIN. Matisse Portraits. (2001). -- D. AAGESEN, (a.o.). Matisse in Search of True Painting. (2012). -- 5 vols. 4°/lge-4°. Or. binds., 3 w. dust-j. -- And 3 o. relating to M. (8).

MATISSE -- VERVE. Revue artistique et littéraire. Vol IX, Nos 35 et 36: Dernières œuvres de Matisse, 1950-54. Par., Utr., (1958). 182, (4) pp. W. 42 cold. lithogr., partly double-p., & sev. plain ill. Fol. Or. dec. brds. des. by Matisse. (Outer corners only very lightly rubbed, some light unobtrusive foxing in places, but else an outstanding copy).

MICHIELS, I. (&) M. VERSTOCKT. Construc. Antw., Ziggurat, (1978). 5 fold. lvs., of which 4 numbered 1-4, containing 4 'prints', each c. 330 x 330 mm, by Mark Verstockt under tissue guards, loose as issued, within 2 covers (the outer covered by mylar). Lge-4°. In or. (but dam.) cardboard slipcase. (Tissue guards a bit dam. in places).

MIRÓ -- LEIRIS, M. Joan Miró, lithographe. Tom. I-III (French edition). Paris, Maeght, 1972-1976. - (&) Id. Joan Miró, der Lithograph. Tl. IV (German edition). Geneva, 1982. - Tog. 4 (of 6) vols. W. tog. 32 or. lithogr. & num. ill. 4°. Ocl. w. or. lithogr. dust-j.

MOLESWORTH, H. This will have been: Art, Love & Politics in the 1980s. (2012). Or. limp cl. -- A. PEARLMAN. Unpacking Art of the 1980s. (2003). Ocl. w. dust-j. -- M. PEPPIATT. Interviews with Artists 1966-2012. (2012). Obrds. w. dust-j. -- D. ROELSTRAETE. The Way of the Shovel. On the Archaeological Imaginary in Art. (2013). Ohcl. -- J. MEYER. Minimalism. Art & Polemics in the Sixties. (2001). Sm-4°. Obrds. w. dust-j. -- And 4 o. (9).

MORTON, M. (&) G.T.M. SHACKELFORD. Gustave Caillebotte. The Painter's Eye. (2015). 4°. Ocl. w. dust-j. -- M. MARRINAN. Gustave Caillebotte. Painting the Paris of Naturalism, 1872-1887. (2016). Sm-4°. Obrds. w. dust-j. -- J.S. BOGGS. Degas at the Races. (1998). 4°. Ocl. w. dust-j. -- R.A. RABINOW, ed. Cézanne to Picasso. Ambroise Vollard, Patron of the Avant-Garde. (2006). Fol. Ocl. w. dust-j. -- And 4 o. (on Degas). (8).

MOTHERWELL -- FLAM, J., (a.o.). Robert Motherwell, Paintings and Collages. A Catalogue Raisonné, 1941-1991. New Haven, (etc.)., (2012). 3 vols. xiv, 433; xii, 579; xii, 660 pp. Fol. Ocl. In or. box. - As new.

NIEUWENKAMP -- (HUBERT, H.J. & W.O.J. N(IEUWENKAMP). Twee honderd etsen en houtsneden v. W.O.J. Nieuwenkamp. Een geïllustr. catalogus. Amst., Wed. G. Dorens & Zn., 1912. 148 pp. Ocl. (Spine rep., some minor foxing). Printed in a lim. ed. of only 200 numb. copies. -- Added: M.A.J. BAUER. Zijn etswerk (his etched work). Amst., (1927). 167 pp. W. cold. front.-portr. & num. plain plates. 4°. Or. buckram, uncut. (Spine a bit faded, else fine). -- (2).

O'KEEFFE -- LYNES, B.B. Georgia O'Keeffe. Catalogue Raisonné. New Haven, (etc.), (1999). 2 vols. 600; -601-1198 pp. Fol. Ocl. w. dust-j. In or. box. - As new.

PALERMO, B. Retrospective, 1964-1977. Ed. by L. Cooke, K. Kelly, and B. Schröder. (2010). 4°. Ocl. -- Chr. MEHRING. Blinky Palermo, Abstraction of an Era. (2008). Sm-4°. Ocl. -- S. POLKE. History of Everything. Paintings and Drawings, 1998-2003. Ed. by J.R. Lane & Ch. Wylie. (2003). Lge-4°. Or. illustr. brds. -- And 6 o. (9).

PERCY, A. & C. ZIMMERMAN, ed. "Great and Mighty Things". Outsider Art from the Jill and Sheldon Bonovitz Collection. (2013). 4°. Or. illustr. brds. -- (U.C. HOEFERT, ed.). Collecting Worlds. Contemporary International Outsider Art, the Korine and Max E. Ammann Collection. (2011). Fol. Obrds. w. dust-j. -- C. CROMMELIN. New Street Art. (2013). Sm-4°. Owrps. -- M.D. HALL & E.W. METCALF, Jr. The Artist Outsider. Vreativity and the Boundaries of Culture. (1994). Ocl. w. dust-j. -- M. KIPPENBERGER. The Problem Perspective. Organized by A. Goldstein. (2008). 4°. Obrds. w. dust-j. -- And 2 o. (7).

PERIODICALS -- WENDINGEN. Jg. IV, 7/8: MARIONETTEN. 1921. 4°. Stab sewn obrds. w. rafia. Cover w. woodcut des. by C.A. Lion Cachet. (Extremities only very lightly chafed in places, unobtrisive and very small ink stain in last lvs., but a very good copy). From the library of K.W.H. Leeflang and w. his bookplate. De luxe edition, published in ca. 250 copies. Le Coultre, 4-7/8D. -- Added: Id. Jg. V, 4: MIDDLE-CLASS DWELLING HOUSES (…) PLAN 'SOUTH' AMSTERDAM. 1923. Stab sewn owrps. w. rafia. Cover w. lithogr. des. by A. Klijn. (Apart from some very light rubbing of spine in very good condition). Edition in English. Le Coultre 5-4e. -- (2).

PERIODICALS -- WENDINGEN. Jg. V, 8/9: SCHELPENNUMMER. 1923. 4°. Stab sewn obrds. w. threaded cord. Cover w. lithogr. des. by R.N. Roland Holst. (Extremities only very lightly chafed in places, but a very good copy).

PERIODICALS -- WENDINGEN. Jg. X, 11/12: ARCHITECTUUR IN PLAN ZUID TE AMSTERDAM. 1929. Cover w. lithogr. des. by H.T. Zwiers. -- Added: Id. Jg. VIII, 6/7: ARCHITECTUUR IN PLAN WEST AMSTERDAM. 1927. Cover w. lithogr. des. by J.A. Snellebrand. -- 2 vols. 4°. Stab sewn owrps. w. rafia. (Covers very lightly soiled, but very good copies w. in tact spines).

PERIODICALS -- WENDINGEN. Jg. XI, 5: LUCHTFOTO'S VAN NEDERLAND. 1930. Cover w. lithogr. des. by A. Staal. -- Added: Id. Jg. X, 4: RESTAURATIE (…) TOREN St. NICOLAASKERK TE IJSSELSTEIN. 1929. Cover w. lithogr. des. by J. Sjollema. -- 2 vols. 4°. Stab sewn owrps. w. rafia. (Covers very lightly soiled, but very good copies w. in tact spines). From the library of K.W.H. Leeflang and w. his bookplate. Le Coultre, 11-5d & 10-4d. -- And 1 o. (copy w. defects of II, 11/12 devoted to Berlage). -- (3).

PICASSO, P. Linolschnitte. Einleitung W. Boeck. Teufen, A. Niggli, (1962). (7) text-lvs. & 45 full-page colour plates of linoleum cuts. Lge-4°-obl. Ocl. w. dec. front side. In or. slipcase w. cold. dec. sides. (Few lvs. a bit loosening at beginning, slipcase a bit browned/age-toned (espec. spine) and w. some staining marks on spine, else a good copy).

PICASSO -- VERVE. Revue artistique et littéraire. Vol VIII, Nos 29 et 30: Suite de 180 dessins de Picasso. Par., Éd. de la Revue Verve, (1954). W. 16 colour-printed lithogr. (12 under tissue guards) by Mourlot Frères and 164 drawings by the same reproduced in photogravure by Draeger Frères. Fol. Or. illustr. lithogr. brds. after design by Picasso, (dam.) mylar cover. In privately made slipcase. (Some unobtrusive traces of wear to joints, spine a bit age-toned, but a very good & clean copy).

RAMÍREZ, M.C. & H. OLEA. Color in Space and Time. (Museum Fine Arts Houston & Yale Univ. Press, 2011). 4°-obl. Obrds. (Outer upper corners a bit dam., else a fine copy). Scarce. -- Added: K. GERSTNER. The Forms of Color. The Interaction of Visual Elements. (1986). Ocl. w. dust-j. -- G. SAUNDERS, (a.o.). Walls are Talking. Wallpaper, Art and Culture. (2010). 4°. Obrds. -- And 2 o. (5).

ROSEN, B. (&) R. PETZINGER. Eva Hesse. Catalogue raisonné. Wiesbaden, (etc.), (2006). 2 vols. Lge-4°. Ocl. In ocl. slipcase. -- E. SUSSMAN, ed. Eva Hesse. (New Haven, (etc.), 2002). Lge-4°. Ocl. w. dust-j. -- Id. & F. WASSERMAN. Eva Hesse Sculpture. (N.Y., (etc.), 2006). Lge-4°. Ocl. w. dust-j. -- (4).

SALTER, R. Into the Light of Things. Ed. by G. Forrester. (New Haven, 2011). Lge-4°. Ocl. w. dust-j. -- And 2 o. (3).

TUCKER, P.H. Monet in the '90s. The Series Paintings. (1989). 4°. Ocl. w. dust-j. -- Id., (a.o.). Monet in the 20th c. (1998). Lge-4°. Obrds. w. dust-j. -- J. HOUSE. Monet. Nature into Art. 1986. Lge-4°. Obrds. w. dust-j. -- C. HOLMES. Monet at Giverny. (2001). Obrds. w. dust-j. -- And 6 o. on M. (10).

UBL, R. Prehistoric Future. Max Ernst and the Return of Painting between the Wars. (2004). Ocl. w. dust-j. -- W. SPIES & S. REWALD, ed. Max Ernst, A Retrospective. (2005). 4°. Ocl. w. dust-j -- O.K. WERCKMEISTER. The Making of Paul Klee's Career, 1914-1920. (1989). Ocl. w. dust-j. -- M. FRANCISCONO. Paul Klee. His Work and Thought. (1991). Ocl. w. dust-j. -- B. HASKELL. Lyonel Feininger. At the Edge of the World. (2011). 4°. Ocl. w. dust-j. -- And 3 o. (8).

UGLOW, E. The Complete Paintings. Catalogue Raisonné by C. Lampert. (2007). 4°. Ocl. w. dust-j. -- B. LAUGHTON. William Coldstream. (2004). Sm-4°. Obrds. w. dust-j. -- M. PEPPIATT. Francis Bacon in the 1950s. (2006‚. 4°. Obrds. w. dust-j. -- M. LEIRIS. Francis Bacon, Full Face and in Profile. (1987). 4°. Obrds. w. dust-j. -- J. HYMAN. The Battle for Realism. Figurative Art in Britain During the Cold War, 1945-1960. (2001). 4°. Obrds. w. dust-j. -- And 2 o. (7).

WALASSE TING. Red mouth. (Paris), Y. Rivière Éd., (1977). (140) lvs., 2 fold. W. cold. and plain illustr. 4°. Owrps.