ADRIAN, D. & R.A. BORN. See America first. The prints of H.C. Westermann. (2001). 4°. Owrps. -- C.F. BOLLING & V.A. WITHINGTON. The graphic work of Laura Knight. Incl. a cat. raisonné of her prints. (1993). 4°. Obrds. w. dust-j. -- S. RIPPNER. The prints of Vija Celmins. (2002). 4°. Owrps. -- A.N. KEMMERER, (a.o.). Carroll Dunham: Prints. Catalogue raisonné 1984-2006. (2008). 4°. Ocl. w. dust-j. -- B. WALKER. Singular multiples. The Peter Blum edition archive, 1980-1994. (2006). 4°. Obrds. w. dust-j. -- And 4 o. (9).

(ALSTON, D.). The incisive eye. Colin See-Paynton: Wood engravings 1980-1996. (1996). 4°. Ocl. w. dust-j. Rare. -- J. RUSSELL, ed. The wood-engravings of Gertrude Hermes. (1993). Fol. Ocl. w. dust-j. -- M. MELOT. The impressionis print. (1996). 4°. Obrds. w. dust-j. -- R.S. SCHNEIDERMAN. Charles Meryon. The catalogue raisonné of the prints. 1990. 4°. Ocl. w. dust-j. -- And 3 o. (7).

ANDERSEN, K. The Geometry of an Art. The History of the Mathematical Theory of Perspective from Alberti to Monge. (2007). Ocl. -- M. COJANNOT-LE BLANC, (a.o.), dir. L'Artiste et l'œuvre à l'épreuve de la perspective/L'Artista, l'opera e la sfida della prospettiva. 2006. Owrps. -- M. GRILLO. Symbolic Structures. The Role of Composition in Signaling Meaning in Italian Medieval Art. (1997). Obrds. -- J. GRAVE. Architekturen des Sehens. Bauten in Bildern des Quattrocento. (2015). Owrps. -- (4).

(AUCTION/SALE) CATALOGUES -- CATALOGUE des tableaux composant la collection Ch. Sedelmeyer. 1e vente: 16-18 mai 1907; 2me vente: 25-28 mai 1907; 3me vente: 3-5 juin 1907; 4me vente: 12-14 juin 1907. Paris, 1907. 4 vols. Prof. ill. Fol. Fine cont. brown h. mor. binds. w. owrps. bound up. (Corners bumped). - Results written in ink in the margin.

(AUCTION/SALE) CATALOGUES -- FORSTER, H.R. The Stowe Catalogue, priced and annotated. Lond., 1848. xliii, 310, (22) pp. W. front. and 16 full-p. plates. 4° Cont. hcf. (Spine a bit worn). -- Added: CATALOGUE of the classic contents of Strawberry Hill, collected by Horace Walpole. (London, G. Robins, 1842). xxiv, 250 pp. W. lithogr. tipped in portr. of Walpole, wood-engr. ti.-p. and 11 wood-engr. in text. 4°. Cont. h. sheepskin. (Bind. defected, front cover loose). -- (2).

(AUCTION/SALE) CATALOGUES -- KNYFF -- CATALOGUE de 44 tableaux, études et esquisses par le Chevalier Alfred de Knyff. Vente Hotel Drouot, Salle N° 8. Le jeudi 13 avril 1876. Par., Ch. Pillet & M. Haro, (1876). 19 pp. W. 6 etchings by Buhot, Milius, G. Greux, Desbrosses, J. Haro & Toussaint. Lge-8°. Hcl.

BARRINGER, T., (a.o.). Art and Emancipation in Jamaica. Isaac Mendes Belisario and His Worlds. (2007). 4°. Ocl. w. dust-j. -- (D. CULLEN (&) E. FUENTES). Caribbean Art at the Crossroads of the World. (2012). 4°. Obrds. -- E.J. SULLIVAN. The Language of Objects in the Art of the Americas. (2007). 4°. Ohcl. w. dust-j. -- And 2 o. (5).

BENSON, E.P., (a.o.). Retratos. 2,000 Years of Latin American Portraits. (2005). 4°. Ocl. w. dust-j. -- L.F. FRY, (a.o.). Art of the American West. The Haub Family Collection at Tacoma Art Museum. (2014). 4°. Ocl. w. dust-j. -- Y.-A. BOIS. Geometric Abstraction. Latin American Art from the Patricia Phelps de Cisneros Collection. (2001). 4°. Ocl. w. dust-j. -- D. CRAVEN. Art and Revolution in Latin America, 1910-1990. (2002). 4°. Obrds. w. dust-j. -- And 7 o. on (Latin) American (Native) Art. (11).

BERLINER, R. & G. EGGER. Ornamentale Vorlageblätter des 15. bis 19. Jahrhunderts. München, Klinkhardt & Biermann, (1981). 1 text-vol. & 2 plate-vols. w. 1710 b/w ill. 4°. Ocl. w. dust-j. - Good set of this second & substantial enlarged edition.

BROWN, K.R., ed. From Attila to Charlemagne. Arts of the early medieval period in The Metropolitan Mus. of Art. (2000). Sm-4°. Owrps. -- N. KENAAN-KEDAR. Marginal sculpture in medieval Ftance. (1995). Obrds. w. dust-j. --J.F. HAMBURGER. The visual and the visionary. Art and female spirituality in late medieval Germany. 1998. Lge-8°. Ocl. w. dust-j. -- P. BINSKI. Becket's crown. Art and imagination in Gothic England, 1170-1300. (2004). 4°. Obrds. w. dust-j. -- And 7 o. (11).

BRUEGEL -- BASTELAER, R. v. Peter Bruegel l'Ancien, son œuvre et son temps. Étude historique, suivie des catalogues raisonnés de son œuvre dessiné et gravé. Et d'un catalogue raisonné de son œuvre peint p. G.H. de Loo. Brux., 1907. Prof. ill. 4°. Ocl., uncut, top edge gilt. In or. slipcase. -- L. LEBEER. Les estampes de Pierre Bruegel l'Ancien. Avant-propos H. Liebaers. Antw., Mercatorfonds, 1976. W. 95 plates. Lge-fol. In or. portfol. -- K. ERTZ. Jan Brueghel der Ältere (1568-1625). Die Gemälde mit krit. Oeuvrekatalog. (1979). Prof. ill. 4°. Ocl. w. dust-j. -- (3).

BUCKLAND WRIGHT, Chr., ed. The engravings of John Buckland Wright. (1990). 4°. Ocl. w. dust-j. -- R. HERDMAN. The prints of Anthony Gross. A catalogue raisonné. (1991). 4°. Ocl. w. dust-j. -- J. RUSSELL, ed. The wood-engravings of Gertrude Hermes. (1993). Fol. Ocl. w. dust-j. -- And 3 o. (6).

CARICATURE -- PIERCE, H. Unseemly pictures. Graphic satire and politics in early modern England. (2008). -- R. ENGE. Sir John Tenniel: Alice's White Knight. (1991). -- N.K. ROBINSON. Edmund Burke, a life in caricature. (1996). -- C. McPHEE & N.M. ORENSTEIN. Infinite Jest. Caricature and satire from Leonardo to Levine. (2011). -- B. WALKER. Doonesbury and the art of G.B. Trudeau. (2010). -- 5 vols. Prof. ill. Dif. sizes. Or. binds. w. dust-j. -- And 7 o. (12).

CLAYTON, T. The English print, 1688-1802. (1997). -- (R. GARTON). British printmakers, 1855-1955. (1992). -- M. JONES. The print in early modern England, an historical oversight. (2010). -- E.G. D'OENCH. "Copper into gold". Prints by John Raphael Smith 1751-1812. 1999. -- And 3 o., tog. 7 vols. Prof. ill. Dif. sizes. Or. binds. w. dust-j.

(COGEVAL, G., e.a.). Édouard Vuillard, 1868-1940. (2003). 4°. Owrps. -- G.P. WEISBERG. Beyond impressionism. The naturalist impulse in European art, 1860-1905. (1992). 4°. Ocl. w. dust-j. -- D. DEKKERS. Jozef Israels, een succesvol schilder v.h. vissersgenre. 1994. Owrps. -- (I.M. de GROOT, e.a.). Willem Witsen, 1860-1923. Schilderijen, tekeningen, prenten, foto's. (Met oeuvrecatalogus v.d. grafiek). (2003). 4°. Obrds. w. dust-j. -- J.F. HEIJBROEK & E. SCHMITZ. George Hendrik Breitner in Amsterdam. (2014). 4°. Obrds. w. dust-j. -- And 10 o. (15).

COJANNOT-LE BLANC, M., (a.o.), dir. L'Artiste et l'œuvre à l'épreuve de la perspective/L'Artista, l'opera e la sfida della prospettiva. 2006. Owrps. -- L. MASSEY, ed. The Treatise on Perspective: Published and unpublished. (2003). 4°. Ocl. w. dust-j. -- S.Y. EDGERTON, Jr. The Heritage of Giotto's Geometry. Art and Science on the Eve of the Scientific Revolution. (1991). 4°. Ocl. -- Th. PUTTFARKEN. The Discovery of Pictorial Composition. Theories of Visual Order in Painting, 1400-1800. (2000). Lge-8°. Obrds. w. dust-j. -- And 3 o. on perspective. (7).

COPPEL, S. Linocuts of the machine age. Claude Flight and the Grosvenor School. 1995. 4°. Obrds. w. dust-j. Rare. -- D. ADRIAN & R.A. BORN. See America first. The prints of H.C. Westermann. (2001). 4°. Owrps. -- T. SIDEY. The prints of Michael Rothenstein. (1993). 4°. Ocl. w. dust-j. -- And 2 o. (5).

CRAFT-GIEPMANS, S. & A. de VRIES, red. Portret in portret in de Nederlandse kunst, 1550-2012. (2012). 4°. Owrps. -- H. WESTGEEST, (e.a.), red. Kunsttechnieken in historisch perspectief. (2011). 4°. Owrps. -- M. KEMP. The science of art. Optical themes in western art from Brunelleschi to Seurat. (1990). 4°. Owrps. -- J. GAGE. Colour and culture. Practice and meaning from antiquity to abstraction. (2001). 4°. Owrps. -- And 12 o. (16).

DANCE OF DEATH -- KIST, N.C. De kerkelijke architectuur en de doodendansen; als proeve v.h. Humoristisch Karakter der Christelijke Kunst in het tijdvak, hetwelk de Hervorming heeft voorbereid. Leiden, 1844. (2), 112 pp. W. 5 lithogr., of which 4 fold-outs. - Bound with: Id. Proof, folded and bound at rear, w. ample annotations in manuscript. - And: J.C. SCHULTZ JACOBI. De Nederlandsche doodendans. Utr., 1849. 36 pp. W. 3 lithogr. plates, of which 2 fold-outs. - And: (C. LEEMANS). Bijdr. tot de geschied. der beeldhouwkunst. 16 pp. W. 1 full-p. lithogr. - 4 in 1 vol. Fine 19th c. cf., richly gold tooled. - From the library of F.G. Waller and w. his bookplate.

DAUBIGNY -- HENRIET, F. C. Daubigny et son œuvre gravé. Par., A. Lévy, 1875. (4), 212 pp. W. dec. half-ti., engr. front-portr. of Daubigny by L.L.Hermitte (loose) & 7 (engr.) plates (1 by C. Daubigny). Lge-8°. Fine cont. red h. mor extra w. raised bands, top edge gilt & or. front wrapper bound up. (Slightly foxed).

DEMUS, O. The mosaics of San Marco in Venice: The Eleventh, Twelfth (and) Thirteenth Centuries. W. a contribution by R.M. Kloos (&) K. Weitzmann. Chicago, (etc.), (1984). 2 in 4 vols. With 852 pages of text, 160 cold. plates and 731 plain plates. 4°. Ocl. In or. slipcase. - In mint condition.

DRAWINGS -- FOLDS McCULLAGH, ed. Capturing the sublime. Italian drawings of the Renaissance and baroque. (2012). -- D. PEATHERBRIDGE. The primacy of drawing. Histories and theories of practice. (2010). -- C.C. BAMBACH, ed. The drawings of Bronzino. (2010). -- 3 vols. Prof. ill. 4°. Or. binds. w. dust-j. -- S. CURRIE. Drawing 1400-1600. Invention and innovation. (1998). Obrds. w. dust-j. -- And 5 o. (9).

DRAWINGS -- FUHRING, P. Design into Art. Drawings for Architecture and Ornament. The Lodewijk Houthakker Collection. The Hague, 1989. 2 vols. 792 pp. Richly illustr. 4°. Ocl. w. dust-j. In or. slipcase. - Printed in 1000 numb. copies.

FIELD, J.V. Piero della Francesca. a mathematician's art. (2005). Lge-8°. Obrds. -- (R. CARAVAGGI, ed.). Raphael in the apartments of Julius II and Leo X. (1993). Square-4°. Ocl. w. dust-j. -- R. ERIKSEN & V.P. TSCHUDI, eds. Ashes to ashes. Art in Rome between Humanism and Maniera. 2006. Owrps. -- P.L. RUBIN. Images and identity in 15th-c. Florence. (2007). 4°. Obrds. w. dust-j. -- Chr. WAGNER. Farbe und Metapher. Die Entstehung einer neuzeitlichen Bildmetaphorik in der vorröm. Malerei Raphaels. (1999). Ocl. w. dust-j. -- And 4 o. (9).

FUHRING, P. Design into art. Drawings for Architecture and Ornament. The Lodewijk Houthakker Collection. (Lond., 1989). 2 vols. Prof. ill. 4°. Ocl. w. dust-j. In or. slipcase. (Spines discold.).

FUHRING, P. Juste-Aurèle Meissonnier, un génie du Rococo, 1695-1750. Turin/Lond., (1999). 2 vols. 160; 161-505, (3) pp. Prof. ill., partly cold. Fol. Obrds. w. dust-j. & slipcase. Beautiful set. -- Added: C.-P. WARNCKE. Die ornamentale Groteske in Deutschland, 1500-1650. 1979. 2 vols. 4°. Owrps. -- (4).

FUHRING, P., (ed.). Ornament Prints in the Rijksmuseum II. The seventeenth century. Amst./Rott., Rijksmuseum/Sound & Vision, 2004. 3 vols. 534; 591; 503, (1) pp. Prof. ill. 4°. Ocl. w. dust-j.

(GARTON, R). British printmakers, 1855-1955. (1992). 4°. Obrds. w. dust-j. -- M.J. CAMPBELL. John Martin, visionary printmaker. (1992). 4°. Owrps. -- B. NURSE. London: prints & drawings before 1800. (2017). 4°-obl. Obrds. w. dust-j. -- P. WHITFIELD. Oxford in prints, 1675-1900. (2016). 4°-obl. Obrds. w. dust-j. -- D.H. WEINGLASS. Prints and engraved illustrations by and after Henry Fuseli. A catalogue raisonné. (1994). 4°. Obrds. w. dust-j. -- And 6 o. (11).

GERASIMOVO, J. The iconostasis of Peter the Great in the Peter and Paul Cathedral in St Petersburg. (1722-29). W. 227 ill. - I. SPATHARAKIS. Byzantine wall paintings of Crete. Vol. II: Mylopotamos Province. W. 514 ill. - Leiden, Alexandros Press, 2004-10. 2 vols. Obrds.

GERSTEL, E.J., ed. Thresholds of the sacred. Architectural, art historical, liturgical, and theological perspectives on religious screens, East and West. 2006. -- J.J. MARROW. Passion iconography in Northern European art of the late middle ages and early renaissance. 1979. In ocl. slipcase. -- P. LASKO. Ars sacra 800-1200. 2nd ed. (1994). (Spine faded). -- KUPFER. Romanesque wall painting in central France. The politics of narrative. (1993). -- R. STALLEY. The Cistercian monasteries of Ireland. 1987. -- 5 vols. Dif. sizes. Ocl. w. dust-j. -- And 9 o. (14).

GONCOURT, E. & J. de. L'art du 18ème siècle. 3e éd. Par., 1880-83. 2 vols. W. plates. 4°. Fine cont. blue h. mor. extra w. raised bands, top edges gilt & owrps. bound up. -- A. ALEXANDRE. Maxime Maufra, peintre marin et rustique (1861-1918). 1926. 4°. Owrps. (Spine renewed). -- A.L. BALDRY. Albert Moore, his life and works. 1894. Prof. ill. Bound. -- And 3 o. (7).

HAVEMAN, M., (e.a.), red. Ateliergeheimen. Over de werkplaats v.d. Nederlandse kunstenaar vanaf 1200 tot heden. 2006. Owrps. -- J.F. HEIJBROEK & A.Th.P. v. GRIENSVEN. Kunst, kennis en kwaliteit. De Ver. van Handelaren in Oude Kunst in Nederland 1911-heden. (2007). 4°. Obrds. w. dust-j. -- E. REITSMA. Het huis v.d. kunstenaar. Herinneringen aan een leven. (2001). 4°. Owrps. -- F. POSTMA. 26, Rue du Départ. Mondriaans atelier in Parijs, 1921-1936. 1995. Sm-4°. Owrps. -- M. JONKMAN & E. GEUDEKER, red. Mythen v.h. atelier. Werkplaats en schilderpraktijk v.d. 19de-eeuwse Ned. kunstenaar. (2010). 4°. Obrds. -- And 5 o. (10).

HEEMSKERCK -- GROSSHANS, R. Maerten van Heemskerck: Die Gemälde. Berl., 1980. 298 pp. Prof. ill. 4°. Ocl. w. dust-j.

HERDMAN, R. The prints of Anthony Gross. A catalogue raisonné. (1991). -- M. & P. GROSS, ed. Anthony Gross. (1992). -- T. SIDEY. The prints of Michael Rothenstein. (1993). -- J. KINSMAN. The prints of R.B. Kitaj. (1994). -- R. BROMBERG. Walter Sickert: Prints. A catalogue raisonné. (2000). -- 5 vols. Prof. ill. 4°. Or. binds. w. dust-j. -- And 2 o. (7).

HUBER, J.J. Handbuch für künstler und Freunde der Kunst enthaltend das Leben von der 50 berühmtesten Maler (…). 1819. 2 vols. W. 50 engr. portrs. Cont. brds. -- O. DELEPIERRE & A. VOISIN. La chasse de Sainte Ursule gravée au trait p. Ch. Onghena d'après J. Memling. 1841. W. 12 plates. Fol. Obrds. (Spine broken, a bit foxed). -- J. DUCHESNE. Description des estampes exposées dans la galerie de la bibl. impériale. 1855. Owrps. -- J. PYE. Patronage of British art, an historical sketch. 1845. Ocl. (Top of spine dam.). -- And 3 o. (8).

ICONCLASS: Collection of 36 volumes of the series. 1973-2009. Ocl.

ICONOGRAPHY -- OKAYAMA, Y. The Ripa index. Personifications and their attributes in five editions of the Iconologia. (1992). Owrps. -- (H. v.d. WAAL). Decimal index of the art of the Low Countries. Abridged ed. of the iconclass system. 1968. Lge-8°. Ocl. -- J.H. MARROW. Passion iconography in Northern European art of the late middle ages and early renaissance. 1979. 4°. Ocl. w. dust-j. In ocl. slipcase. -- Added: H.F.J. HORSTMANSHOFF, (a.o.). The four seasons of human life. Four anonymous engravings from the Trent Collection. 2002. Fol. Ocl. -- And 4 o. (9).

KERN, A.L. Manga from the floating world. Comic book culture and the Kibyoshi of Edo Japan. (2006). -- J. SMITH. Saul Steinberg: illuminations. (2006). -- R. GOLAN. Muralnomad. The paradox of wall painting, Europe 1927-57. (2009). -- C.J. NAHSON. The art of William Steig. (2007). -- D. DUFFY. The hole. Consumer culture. (2008). -- 5 vols. Prof. ill. Dif. sizes. Or. binds. (4) w. dust-j. -- And 7 o. (12).

LABORDE, L. Histoire de la gravure en manière noire. Par., 1839. Prof. ill. Cont. hcf. w. dec. gilt back. (Top of spine dam., upper joint split, some foxing). Rare. -- E. de JONGH & G. LUIJTEN. Mirror of everyday life. Genreprints in the Netherlands, 1550-1700. Transl. from the Dutch by M. Hoyle. (1997). 4°. Ocl. w. dust-j. -- CAPOLAVORI nella racolta delle stampe della Pinacoteca Nazionale di Bologna. Le stampe tedesche e nordiche. 1967. Fol. Or. bind. -- Th. SIMPSON. Modern etchings and their collectors. 1919. W. 25 reprods. 4°. Ohcl. -- (4).

MAES, J. Portretten der voornaamste kunst-schilders, beeldhouwers en bouwmeesters der Antwerpsche School sedert Quinten Massys. 1877. W. 150 portrs. Sm-4°. Hcl. (Upper hinge partly broken). -- CATALOGUS v. OUDE SCHILDERIJEN. Amsterdam, 25 april 1872. (1872). W. 25 etchings. Obrds. (Spine fails). -- P. SCHELTEMA. Rembrand. Redevoering over het leven van Rembrand van Rijn. 1853. W. engr. portr. Obrds. (Spine gone, loose, sides stained). -- H.P. BREMMER. Een inleiding tot het zien v. beeldende kunst. 2e dr. 1914. Owrps. -- And 5 o. (9).

MARLE, R. v. Iconographie de l'art profane au Mâ. et à la Renaissance. The Hague, 1931-32. 2 vols. W. 10 photo-engr. & 1057 text-illustr. Fol. Ocl. w. gilt lettering. (Extremities slightly worn).

NETTLEFOLD, F.J. The collection of bronzes and castings in brass and ormolu by Mr. F.J. Nettlefold. Lond., 1934. W. plates. Fol. Ocl. w. top edge gilt. -- P. CHEVALLIER & Ch. MANNHEIM. Catalogue des objets d'art et de haute curiosité, antiques, du Moyen-Age & de la Renaissance. Composant l'importante et précieuse Collection Spitzer dont la vente publique aura lieu a Paris, 17 Avr. - 16 Juin 1893. Par., 1893. 2 vols. Fol. Cont. h. mor. (Without plate-vol.). Results written in ink in the margin. -- CATALOGUE des tableau anciens de toutes les écoles composant la très importante collection de M. Le Baron de Beurnonville, 9-16 mai 1881. (1881). W. plates. 4°. Cont. h. mor. extra. (A bit chafed/worn, ticket on spine). -- And 1 o. (5).

PARSHALL, P. & R. SCHOCH. Origins of European printmaking. Fifteenth-c. woodcuts and their public. (2005). 4°. Ocl. w. dust-j. -- D. LANDAU & P. PARSHALL. The Renaissance print, 1470-1550. 1994. 4°. Owrps. -- E. LINCOLN. The invention of the Italian Renaissance printmaker. (2000). 4°. Obrds. w. dust-j. -- P. PARSHALL, ed. The woodcut in 15th-c. Europe. (2009). 4°. Ocl. w. dust-j. -- L. SILVER & E. WYCKOFF, ed. Grand scale. Monumental prints in the age of Dürer and Titian. (2008). 4°. Ohcl. -- And 2 o. (7).

PERUGINO -- CANUTI, F. Il Perugino. (1983). 2 vols. Fol. Owrps. -- V. GARIBALDI. Perugino. (2004). Fol. Ocl. w. dust-j. -- Id. & F.F. MANCINI, cur. Perugino, il divin pittore. 4°. Owrps. -- P. SCARPELLINI. Perugino. (1984). 4°. Ocl. w. dust-j. In or. slipcase. -- And 2 o. on P. (7).

PHILIPPEN, J. & F. v.d. WIJNGAERT. Jan-Frans Cantré, Vlaamsch houtsnijder. Diest, Pro Arte, 1941, 181, (2) pp. W. num. (woodcut) ills., partly printed from the orig. blocks. Fol. Ohcl. (Spine ends a bit worn, browned as usual). Printed in 500 numb. copies. -- Added: A. KUBIN. Ein neuer Totentanz. Wien, 1947. W. text-booklet & 24 plates. Fol. In owrps. portfol. (Portfol. slightly browned, small tear in spine). -- (2).

PILLEMENT -- GORDON-SMITH, M. Pillement. Foreword A. Laing. Cracow, 2006. 414, (2) pp. Prof. ill. 4°. Obrds. w. dust-j.

PORTRAIT MINIATURES -- WILLIAMSON, (G.Ch.). Katalog einer Sammlung von Bildnisminiaturen im Besitze Seiner Königlichen Hoheit des Herzogs von Cumberland, Herzogs zu Braunschweig und Lüneburg. Lond., Privatdruck der Chiswick Press, 1914. xviii, 118 pp. W. 2 genealogical trees (1 fold.) and 75 fine photo-engr. plates. 4°. Ocl., uncut. In or. slipcase. (Slipcase shows some signs of foxing, else a very good copy).

RAPHAEL -- (CARAVAGGI, R., ed.). Raphael in the apartments of Julius II and Leo X. (1993). Square-4°. Ocl. In ocl. slipcase. -- J. MEYER zur CAPELLEN. Raphael. A critical catalogue of his paintings. (2001-08). 3 vols. Lge-8°. Obrds. w. dust-j. -- M.S. HAMOUD & M.L. STROCCHI, cur. Studi su Raffaello. (1987). 2 vols. Owrps. -- B. TALVACCHIA. Rafael. (2007). 4°. Ocl. (German text). -- R. Frhr. HILLER von GAERTRINGEN. Raffaels Lernerfahrungen in der Werkstatt Peruginos. Kartonverwendung und Motivübernahme im Wandel. 1999. Lge-8°. Ocl. w. dust-j. -- (8).

RÉAU, L. Histoire du Vandalisme: Les monuments détruits de l'art français. Tom. 1: Du haut Moyen au XIXe s. Tom. II: XIXe & XXe s. (1959). 2 vols. Prof. ill. 4°. Ocl. -- Added: H.P. SCICLUNA. The church of St. John in Valletta. Its history, architecture and monuments. 1955. Prof. ill. Or. red artificial leather. Printed in a lim. ed., signed by the author. -- (3).

REFERENCE WORKS -- HOLLSTEIN, (F.W.H.). Hollstein's German engravings, etchings and woodcuts. Vols. XIIA, XIIIA (2x), XV, XVA, XVB, XIX, XXIV, XXIVA. & Hollstein's Dutch and Flemish etchings, engravings and woodcuts. Vols. XXVIII & XXX. & The New Hollstein. Dutch & Flemish etchings, engravings and woodcuts: Karel van Mander. Amst., (1983-99). 12 vols. (incl. 1 duplicate). Prof. ill. Lge-8°. Ocl. w. dust-j.

REMBRANDT -- BRUYN, J., B. HAAK, (a.o.). A corpus of Rembrandt paintings. Transl. by D. Cook-Radmore. Dl I-III: 1625-42 & dl. IV: The self-portraits. The Hague/Dordrecht, (etc.), M. Nijhoff/Springer, 1982-2005. 4 (of 6) vols. Prof. ill. & w. 4 loosely inserted (fold.) annex plates. 4°. Or. h. rexine binds. (Stichting Foundation Rembrandt Research Project).

RISHEL, J.J. The Arts in Latin America, 1492-1820. (2006). Fol. Ocl. w. dust-j. -- I. KATZEW. Contested Visions in the Spanish Colonial World. (2012). Fol. Ocl. w. dust-j. -- J. PILLSBURY. Past presented. Archaeological Illustration and the Ancient Americas. (2012). 4°. Ocl. w. dust-j. -- L.E. ALCALÁ & J. BROWN. Painting in Latin America, 1550-1820. (2014). 4°. Obrds. -- And 3 o. on Latin American Art. (7).

RUBENS -- ROOSES, M. L'Œuvre de P.P. Rubens. Histoire et description de ses tableaux et dessins. (Repr. ed. 1886-92). Soest, 1977. 5 vols. Ocl.

SENSIER, A. Étude sur Georges Michel. Par., 1873. W. front. & 16 engr. Lge-8°. Owrps., uncut. -- A. DÜRER. La vie de la Sainte Vierge Marie. Reprod. de P.W. v.d. Weijer. (Nachdr. Ausg. 1511. Utr., 1875). W. 20 reprod. of woodcuts. Fol. Mod. bind. -- G. KEYES. Pieter Bast. 1981. W. 37 b/w plates, loose as issued. Lge-obl.-fol. In ocl. portfol. -- K. STEINBART. Das Holzschnittwerk von Jakob Cornelisz von Amsterdam. (1937). Prof. ill. Owrps. -- (4).

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