ANONYMOUS. (3 charming miniature drawings of landscapes). N.d., 1800's. Meticulously painted in ink on silk. All fixed to small glass plates w. gilt paper borders. 88 x 88 mm (2x) and 93 x 115 mm. -- Added: Ferdinand Carl SIERICH (1839-1905). (River scene w. fishermen?). N.d. Black ink and colour wash. 45 x 79 mm. Signed in left lower corner. -- And: Leendert van GORKOM (1812-1886). (Hunter w. jumping pole (?) and 4 dogs in a rural landscape). N.d. Black ink and colour wash. 132 x 193 mm. On mount, glazed and framed. "Dessiné par L. van Gorkom" in lower left margin. (Uninspected out of frame). -- (5).

BEHAM, Hans Sebald (1500-1550). (Departure of the Prodigal Son). Engr. 58 x 97 mm. Monogrammed 'HSB' in the lower left corner. (Upper and lower left corners restored, cut close to borderline).

BEHAM, Hans Sebald (1500-1550). (Old couple dancing to the left). Engr. 48 x c. 37 mm. Annotated '8' and monogrammed in the plate. Hinged to mount. Under passepartout. (Left margin a bit rubbed, but in all in good condition).

BEHAM, Hans Sebald (1500-1550). (The Peasant's Feast or the Twelve Months: January & February; March & April). 2 engr. 48 x 72 & 53 x 74 mm. Monogrammed 'HSB' in the plate.

BILDERS, Johannes Wernardus, (1811-1890). (Hunters with dogs on a country road). N.d. Drawing in pencil and colour wash. 285 x 360 mm. Signed in lower left corner. Framed, glazed and under passepartout. (A bit faded). -- Added: similar, rural landscape from the same period. -- (2).

BLES, David Joseph (1821-1899). (Man sitting next to a harp). 1861. Drawing in pencil. 243 x 155 mm. Monogrammed 'DB' in lower right corner. Framed, glazed and under passepartout. (Uninspected out of frame, but slight foxing visible).

CARICATURE -- JORDAAN, Leendert Jurriaan (1885-1980). "De Czaar (by z'n terugkeer op Russischen Bodem) "Goddank…"Hier bin ich Mensch! - Hier darf ich 's sein…!"" (Goethe - Faust)". N.d. Drawing in black ink and colour wash. -- "Aan boord van de 'Standart.' "We laten voortdurend heiligenbeelden uitdeelen, Majesteit, - We verbieden vrijheid van drukpers, - We zenden massa's naar Siberië… Ja, wat zullen we meer voor sanitaire maatregelen tegen de cholera nemen?"" 1909. Drawing in black conté and colour wash. -- And 9 similar original drawings by the same, all c. 1904/05. (11).

COLLECTION of 8 prints of horses, hunting with horses and horse riding. 19th-20th c. Diff. sizes. All but 4 framed and glazed.

DILLIS, Johann Georg von (1759-1841). (Landscape with village on hill top in the distance). N.d. Pencil and watercolour. 227 x 312 mm. Signed in lower right corner and w. stamped collector's monogram 'AS' in red ink right from the signature. Framed, glazed and under passepartout. (Uninspected out of frame, but seemingly in very good condition).

DRIELST, Egbert v. (1771-1816). (Landscape near Sleen, Drenthe). - (Landscape near Eext, Drenthe). - (Landscape near Zuidlaren, Drenthe). - (Landscape near Midlaren, Drenthe). - N.pl., n.d. (First quarter 19th c.?). 4 engr. by H. Schwegman (1761-1816) after E. van Drielst w. some remnants of faded colouring in places. 372 x 277 mm. Framed, glazed and under passepartout. (Uninspected out of frames, but - apart from some age-toning - seemingly in good condition). Collection of 4 (of 9) views on Drenthe. Cf. Wurzbach II, 595 (our copies later prints/other sizes?). -- Added: ANONYMOUS, late 18th/early 19th c. (Landscape w. mountains in the distance). Watercolour in greys. 345 x 270 mm. Framed, glazed and under passepartout. (In good condition). -- (5).

DUTCH SCHOOL, 17th c. -- (Tobias and the Angel, after 17th c. example). Washed pen drawing in brown ink. 199 x 282 mm. Watermark: "Dieuaude", likely to be dated around 1660-1663. Fixed to passepartout along borders. (A bit foxed). -- Added: portrait of a woman after Rembrandt, framed and glazed (in very bad condition). -- (2).

DUTCH SCHOOL, 19th c. -- (Boats on a river, Fishermen in the foreground). Watercolour. 170 x 257 mm. Framed and glazed. (Uninspected out of frame (= dam.), but fixed on mount and in good condition).

EERELMAN, Otto (1839-1926). (2 coloured chromolithographed plates of horses). (1898). After J.L. Goffart after O. Eerelman. 600 x 460 mm. Framed and glazed. (Uninspected out of frame).

"FAITH, HOPE AND CHARITY". London, J. Brydon, 1795. Mezzotint after James Nixon by John Murphy (1755-c. 1817). 651 x 503 mm. Framed (Empire style) and glazed. Captioned in the plate, i.a. w. a 20 line poem. (Uninspected out of frame, but lower (captioned) margin a bit stained, else seemingly in very good condition). -- Added: "C'EST DE LUI!" - "POUR LUI!" - N.d., mid 19th c. 2 highly romantic genre lithogr., cold., w. arched corners and caption in the plate by (Claude?) Régnier after Fr.-C. Compte-Calix. 450 x 296 mm. (image size). Pair of frames of the period, under glass w. black reverse painted borders and gilt ruling. -- (3).

FLEMISH SCHOOL, 16th c. -- (The Judgment of Paris). Drawing in brown ink and grey wash. 364 x 272 mm. Fixed along borders to poor quality cardboard mount. (Browned, in need of removing from mount).

FLEMISH SCHOOL, 18th c. -- (Figure and Hand Studies, style of Rubens). Drawing in pencil. 195 x 298 mm. Tipped in on mount. No watermark detected. (Small tears in 3 places, upper left corner chipped). -- And 1 o. (2).

FLEMISH SCHOOL, 18th c. -- (Young Jupiter with the Eagle). Oval drawing in red chalk. 164 x 122 mm. Framed, glazed and under passepartout. (Uninspected out of frame, a bit faded, 3 small stains in image).

FLEMISH SCHOOL?, 18th c. -- (Knight of Malta?). Miniature painting on vellum of a monk standing before a praying knight (?) on his knees. 155 x 110 mm. Framed and glazed.

INDONESIA -- (Impressionist view on a lagoon (Ambon?)). N.d. (1890's?). Reverse painted landscape in colour onto glass, monogrammed 'PN' in left lower corner. 129 x 181 mm. In frame of the period.

ITALIAN SCHOOL -- (Triumph of Bacchus, after Raphael?). 17th c.? Drawing in ink and white chalk on yellow ochre painted paper. 177 x 209 mm. On verso written in ink: "Rafaelo Urbino". No watermark detected. (In mediocre condition: faded, upper margin chipped for about 5 x 2 mm (chip is loosely added), 2 small tears running into image, traces of former mounting).

ITALIAN SCHOOL, 16th c. -- CAMBIASO (or CAMBIASI or CANGIAGIO), Luca (1527-1585). (Child Murder in Bethlehem). N.d. Drawing in ink and brown wash. Laid down on wove paper in the 19th c. Signed in lower margin on v° 'Luca Cangiagio di Genova' (visible when put against a light source). 236 x 355 mm. Hinged to mount.

ITALIAN SCHOOL, 16th c. -- VOLTERRA, Daniele da (1509-1566)? (Repentant Saint Mary Magdalene). Drawing in pencil. 185 x 274 mm. Signed "Daniel de Voltere" in lower left corner. On v°: 3 small anatomical studies in pencil (in the same hand?). Watermark: circle w. hammer and anvil, Fabriano in Italy (15th - 17th c.).

KOOI, (?) van der. (Ruin and village of Rijsbergen). N.d. (1800's). Watercolour. 295 x 435 mm. Framed, glazed and under passepartout. Signed "Van der Kooi" in the centre of the lower margin. (Uninspected out of frame, but seemingly in fine condition).

LEEN, Willem van (1753-1825). (Study of papaver somniferum ("slaapbol")). N.d. Watercolour. 217 x 143 mm. Monogrammed "V.L." and annotated "11" in left upper corner. Framed, glazed and under passepartout. (Drawing a bit age-toned and slightly faded). -- Added: (Bernhard SCHREUDER, (?-1780)). (Fruit basket). N.d. Aquatint after Jan van Huysum (In the plate: "Jan van Huijsum fecit"). 197 x 154 mm. Glazed, framed and under passepartout. -- Jan de BRUYN (1794- after 1839). (Study of a rose). N.d. Watercolour. 193 x 152 mm. Signed in pencil in right lower corner. Framed, glazed and under passepartout. -- And 1 lithogr. depicting fruit. (4).

LEYDEN, Lucas v. (1494-1533). Collection of 4 engravings. (Antw., Martinus Petri, c. 1550). Diff. sizes. All hinged to 1 mount, under passepartout. (Cut close to/on plate edges, all a bit defected in some way).

LEYDEN, Lucas v. (1494-1533). (Pilgrims at rest). Ant. Sal. exc. Engraving in reverse without the initial by Marcantonio Raimundi (1480-1531). 154 x 120 mm. Second state on thick 16th c. paper, v° blank. (Small tear in left blank margin).

MEEGEREN, Han van (1889-1947). (Portrait of pianist Matheus Wilhelmus 'Theo' van der Pas). N.d., c. 1940's. Photolithograph. c. 560 x 920 mm. Van der Pas playing the grand piano 'watched' by famous composers in the background. From left to right: Mozart, Beethoven, Bach, Brahms, Schubert, Schumann and Chopin. -- Added: Id. (Portrait of an unidentified woman and her three children). N.d., c. 1940's. Photolithograph. 700 x 570 mm. -- Both framed and glazed.

NUYEN, Wijnand (1813-1839. (Landscape). 1832. Watercolour. 246 x 302 mm. Signed and dated on v°. Framed, glazed and under passepartout. (Image a bit faded and age-toned, uninspected out of frame).

PICART, Bernard (1673-1733). "Pan et Sirinx" - "Biblis Changée en fontaine" - And 2 similar mythological scenes by the same. - Tog. 4 early 19th c. prints, i.a. after Poussin, Le Sueur. 202 x 285 mm (2x) and 100 x 142 mm (2x). Framed, glazed and under passepartout. -- Added: 4 engr. caricature prints by Robert Brichet after Joseph Franz v. Goez ("Le Financier", "Que diable fais tu la?", "L'Usurier", "Le Greffier Boniface"). Augsburg, 1734. All framed and glazed. -- And 3 o. (11).

PORTRAITS & FRAMES -- COLLECTION of various portraits (17th-20th c.), 12 in total, all framed (19th-20th c.). Largest 820 x 720 mm, smallest 210 x 170 mm. 11 under glass. - The collection comprises some interesting period frames.

RUDAKOV, Konstantin Ivanovich (1891-1949), attrib. (Scene from a story by Maupassant). N.d. (1930's?). Drawing in pencil. Under passepartout. (Margin a bit dam. in places). Russian text on v° pointing at R. as the artist. -- And 1 o. (watercolour of an elegantly dressed couple, glazed & framed). -- (2).

("RUSTENDE REIZIGERS") - ("HOEFSMID EN PLASSEND PAARD") - ("LANDSCHAP MET TWEE PAARDEN"). - (Amst.), F. de Wit, n.d. (early 18th c.?). 3 plain engr. by J. (de) Visscher after P. Wouwerman. 295 x 360 mm (image size). (Ample margins, browned, traces of former framing). Series of 4? Present nrs. 1, 3 and 4. Not in Hollstein. -- Added: 4 similar 18th & 19th c. landscape prints by Norton, Vivares, Filloeul and Prestel. -- (7).

SILHOUETTE PORTRAITS of the Van Rijckevorsel family and related families. First half 19th c. 10 silhouette portraits, cut from black paper, and w. hand painted details, laid down on white lozenge-shaped paper, all arranged on black paper mount. Framed and glazed. W. some genealogical annotations on v°. -- Added: 1 similar portrait of a young child in oval frame, glazed. -- And 1 o. example of 'knipselkunst', framed and glazed. (3).

(SPILMAN, Hendricus). (1721-1784). (Border Haarlem/Heemstede "Bosch en Vaart" and the "Wagenweg"). N.d., c. 1750. Ink and colour wash. 146 x 173 mm. (A bit age-toned, small rep. to v°). -- Added: (Everardus KOSTER). (1817-1892). (Miniature harbour scene). N.d. 45 x 80 mm. On mount, glazed and framed. -- And: ANNUNCIATION/THREE KINGS visiting Jesus, carved in a piece of mother of pearl. N.d. (18th c.). 59 x 81 mm. -- And 3 o. drawings, framed. (6).

STRIJ, Jacob van (1756-1815). (Farmhouse and sheep in a tree-rich landscape). N.d. Watercolour. 362 x 510 mm. Signed in right lower corner. Framed, glazed and under passepartout. (Uninspected out of frame, but seemingly - apart from some age-toning - in very good condition).

STRIJ, Jacob van (1756-1815). (House of a black smith, children bringing fire wood). N.d. Watercolour. 314 x 430 mm. Signed in left lower corner. Framed, glazed and under passepartout. (Uninspected out of frame, but seemingly - apart from some age-toning - in very good condition).

TREU, Martin (active c. 1540-1543). (Dancing peasant couple in profile to the left). c. 1540?. Engr. 59 x 45 mm. Hinged to mount. Under passepartout. (Cut on plate edge, but in good condition).

TROMPE L'OEUIL/BEDRIEGERTJE, possibly by Alexander van Afferden (?), c. 1786. Drawing in ink and colour wash consisting of 3 playing cards, sheet music, a newspaper, an almanach page, a map, and several drawings (musicians playing, people dancing, a harbour scene, etc.). 396 x 460 mm. (Several rep. to v°-side, small part of lower outer corner gone, few small holes in upper margin, surface of 1 'illustration' defected by damp (?), caption of another illustr. painted over). - Sold w.a.f., not subject to return.

VOC -- "AFBEELDING VAN HET AFLOOPEN van 't Hoekerschip De Zon, in Tegenwoordigheit Hunner Doorluchtige en Koningklijke Hoogheden; op de Timmerwerf der E.O.I. Maatschappij verricht, den 2den Juny 1868". (Amst.), J. Smit, n.d. (1768). Plain engr. w., captioned in the plate, by R. Vinkeles. 315 x 413 mm. Framed and under glass. (Uninspected out of frame, foxing marks visible). -- Added: "AFBEELDING van het Zeiltogtje Hunner Doorl. en Koningklijke Hoogheden, Willem, (…) en zijne Gemalinne, Frederica (…), Prinsesse van Pruissen; Gehouden op het Y, (…) den 31 May 1768." (Amst.), J. Smit, n.d. (1768). Plain engr., captioned in the plate, by S. Fokke. 315 x 413 mm. Framed and under glass. (Uninspected out of frame, foxing marks visible, frame dam.). -- (2).

WICART, Nicolaas (1748-1815). (Rural scene w. people walking on a country road under arched rock mass). N.d. Watercolour in greys. 228 x 322 mm. Signed in left lower corner. Framed, glazed and under passepartout. (Uninspected out of frame, but seemingly in fine condition).